Sony Pictures Classics
Dynamic entity page generated from imported ScreenProfits movie metadata.
Distributor
Studio
Production Company
Movies453
Years1992-2026
Avg Score58.1
Worldwide Gross$4,212,167,935
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
A Prophet | 2010 | 76.7 | 76.1% | 70.4% | $18M | $15M | $23M |
|
The Lady in the Van | 2015 | 76.7 | 73.6% | 81.7% | $41M | $23M | $31M |
|
Sunset | 2019 | 76.5 | 82.5% | 57.3% | $1M | $5M | $6M |
|
The Past | 2013 | 76.4 | 75.2% | 73.1% | $13M | $11M | $15M |
|
A Dangerous Method | 2011 | 76.4 | 81.6% | 76.5% | $31M | $14M | $20M |
|
Toni Erdmann | 2016 | 76.4 | 78.3% | 71.3% | $12M | $12M | $16M |
|
Magic in the Moonlight | 2014 | 76.3 | 80.2% | 84.6% | $51M | $13M | $19M |
|
Curse of the Golden Flower | 2006 | 76.2 | 71.8% | 87.7% | $79M | $8M | $14M |
|
The Triplets of Belleville | 2003 | 76.1 | 74.7% | 70.8% | $15M | $29M | $51M |
|
Son of Saul | 2015 | 75.8 | 79.1% | 66.6% | $7M | $16M | $22M |
|
Coming Home | 2015 | 75.6 | 75.5% | 83.5% | $48M | -$126M | -$167M |
|
Howards End | 1992 | 75.3 | 69.1% | 78.1% | $26M | $69M | $158M |
|
The Red Turtle | 2017 | 75.2 | 77.2% | 67.5% | $7M | $1M | $2M |
|
Julieta | 2016 | 75.1 | 73.2% | 76.5% | $22M | $7M | $9M |
|
Black Book | 2007 | 75.1 | 70.3% | 78.2% | $27M | $14M | $22M |
|
Maudie | 2017 | 75.1 | 72.3% | 72.2% | $10M | $9M | $12M |
|
Never Look Away | 2018 | 74.8 | 76.8% | 69.1% | $6M | $7M | $9M |
|
Leviathan | 2014 | 74.8 | 76.6% | 66.1% | $4M | -$229M | -$304M |
|
A Fantastic Woman | 2018 | 74.3 | 77.9% | 65.2% | $4M | $8M | $10M |
|
Crouching Tiger, Hidden Dragon | 2023 | 74.3 | 97.0% | 38.8% | $452K | -$9M | -$9M |
|
The Traitor | 2020 | 74.1 | 67.3% | 80.8% | $9M | $24M | $29M |
|
The Teachers' Lounge | 2023 | 74.1 | 76.6% | 66.7% | $6M | $5M | $6M |
|
Waltz with Bashir | 2008 | 74.1 | 71.5% | 67.9% | $11M | $28M | $42M |
|
Take Shelter | 2011 | 74.1 | 81.8% | 58.8% | $4M | $16M | $23M |
|
2046 | 2005 | 73.8 | 69.9% | 73.5% | $19M | -$117M | -$193M |
|
Irrational Man | 2015 | 73.8 | 81.0% | 77.4% | $27M | $9M | $13M |
|
Inside Job | 2010 | 73.5 | 73.5% | 63.3% | $8M | $28M | $41M |
|
Mr. Turner | 2014 | 73.5 | 69.4% | 77.9% | $22M | $7M | $10M |
|
The White Ribbon | 2009 | 73.4 | 70.9% | 72.1% | $19M | $12M | $18M |
| Caché | 2005 | 73.2 | 71.1% | 71.4% | $16M | $29M | $48M | |
|
Groundhog Day | 2021 | 73.2 | 95.2% | 38.4% | $201K | $13M | $15M |
|
The Class | 2008 | 72.6 | 63.0% | 77.7% | $29M | $32M | $49M |
|
The Counterfeiters | 2008 | 72.6 | 65.5% | 73.5% | $19M | $24M | $36M |
|
Land of Mine | 2016 | 72.4 | 76.7% | 58.4% | $3M | -$28M | -$36M |
|
Our Little Sister | 2016 | 72.3 | 65.2% | 74.0% | $16M | $9M | $13M |
|
The Rider | 2018 | 72.3 | 72.4% | 64.2% | $3M | $14M | $17M |
|
Nine Queens | 2002 | 71.9 | 70.3% | 63.9% | $12M | $28M | $51M |
|
The Salt of the Earth | 2015 | 71.9 | 68.8% | 65.4% | $6M | $13M | $17M |
|
Wadjda | 2013 | 71.8 | 66.4% | 68.9% | $6M | $12M | $17M |
|
The Merchant of Venice | 2004 | 71.6 | 69.2% | 74.9% | $21M | $8M | $15M |
|
The Italian | 2007 | 71.1 | 81.5% | 55.1% | $2M | -$40M | -$59M |
|
Rachel Getting Married | 2008 | 71.0 | 70.0% | 71.7% | $17M | $20M | $31M |
|
Testament of Youth | 2015 | 70.9 | 71.5% | 65.6% | $6M | $5M | $7M |
|
Of Gods and Men | 2011 | 70.6 | 57.4% | 81.4% | $44M | $24M | $34M |
|
Animal Kingdom | 2010 | 70.6 | 70.4% | 62.7% | $7M | $19M | $28M |
|
Synecdoche, New York | 2008 | 70.6 | 80.0% | 58.1% | $4M | $7M | $11M |
|
Compartment Number 6 | 2022 | 70.3 | 70.1% | 62.5% | $3M | $6M | $6M |
|
Broken Embraces | 2009 | 70.0 | 60.8% | 78.0% | $37M | $16M | $24M |
|
Joyeux Noel | 2005 | 70.0 | 64.0% | 72.2% | $18M | $11M | $19M |
|
In a Better World | 2011 | 69.7 | 64.6% | 70.5% | $13M | $15M | $21M |