Kino Lorber
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Production Company
Movies274
Years2003-2025
Avg Score38.7
Worldwide Gross$216,491,710
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
The Son of Joseph | 2016 | 51.5 | 76.0% | 23.7% | $39K | -$26M | -$34M |
|
Goodbye to Language | 2014 | 51.5 | 47.1% | 48.7% | $568K | $12M | $16M |
|
The Empire | 2025 | 51.4 | 75.7% | 10.7% | $30K | -$2M | -$2M |
|
Oh, Canada | 2024 | 51.3 | 44.5% | 48.9% | $1M | $4M | $4M |
|
The Atomic Cafe | 2018 | 51.0 | 65.3% | 13.9% | $22K | $2M | $2M |
|
Dogtooth | 2025 | 50.8 | 62.1% | 20.2% | $108K | $2M | $2M |
|
Hold Me Tight | 2022 | 50.7 | 41.0% | 53.2% | $927K | $5M | $6M |
|
Ixcanul | 2016 | 50.4 | 39.0% | 46.3% | $595K | $9M | $12M |
|
West Of The Jordan River | 2018 | 50.4 | 75.0% | 0.4% | $2K | -$18K | -$23K |
|
Utama | 2022 | 50.2 | 41.2% | 41.7% | $292K | $4M | $5M |
|
Alps | 2012 | 50.2 | 54.9% | 36.4% | $143K | $4M | $6M |
|
Anthropocene: The Human Epoch | 2019 | 50.0 | 42.4% | 45.4% | $361K | $4M | $6M |
|
Elles | 2012 | 49.9 | 47.6% | 62.5% | $4M | $8M | $12M |
|
Remembering Gene Wilder | 2024 | 49.9 | 48.3% | 29.7% | $166K | $4M | $4M |
|
Diamantino | 2019 | 49.8 | 49.6% | 38.1% | $235K | $4M | $4M |
|
5 Broken Cameras | 2012 | 49.8 | 42.3% | 37.0% | $146K | $10M | $14M |
|
Sand Storm | 2016 | 49.1 | 38.8% | 43.7% | $415K | $6M | $8M |
|
Chile '76 | 2023 | 49.1 | 38.3% | 41.3% | $550K | $5M | $5M |
|
Memphis | 2014 | 48.9 | 62.7% | 20.2% | $21K | -$20M | -$27M |
|
The Cabinet of Dr. Caligari | 2014 | 48.8 | 62.4% | 10.5% | $9K | $2M | $3M |
|
Violeta Went to Heaven | 2013 | 48.6 | 29.3% | 57.8% | $1M | $4M | $6M |
|
Filmworker | 2018 | 48.1 | 44.9% | 30.4% | $113K | $5M | $6M |
|
Breathing | 2012 | 47.9 | 32.5% | 49.1% | $807K | $110K | $154K |
|
Slalom | 2021 | 47.8 | 33.5% | 49.2% | $573K | -$163K | -$193K |
|
In Another Country | 2012 | 47.4 | 39.1% | 47.4% | $611K | $4M | $5M |
|
Computer Chess | 2013 | 47.3 | 45.5% | 37.6% | $128K | $10M | $14M |
|
Gueros | 2015 | 46.9 | 44.3% | 28.9% | $87K | $6M | $8M |
|
The Messenger | 2015 | 46.9 | 53.5% | 26.6% | $68K | $2M | $3M |
|
Whores' Glory | 2012 | 46.7 | 38.1% | 39.2% | $198K | $6M | $9M |
|
The Image Book | 2019 | 46.6 | 49.5% | 29.5% | $132K | $4M | $6M |
|
The Chambermaid | 2019 | 46.5 | 42.7% | 32.7% | $166K | $4M | $5M |
|
Close to Vermeer | 2023 | 46.4 | 25.3% | 47.0% | $806K | $5M | $5M |
|
Songs My Brothers Taught Me | 2016 | 46.3 | 39.5% | 36.3% | $147K | $4M | $6M |
|
Taxi | 2015 | 45.5 | 17.5% | 61.4% | $4M | $10M | $14M |
|
Neon Bull | 2016 | 45.4 | 37.3% | 38.5% | $173K | $3M | $4M |
|
Grace Jones: Bloodlight and Bami | 2018 | 45.4 | 33.6% | 50.5% | $632K | $7M | $9M |
|
Inside the Yellow Cocoon Shell | 2024 | 45.2 | 37.8% | 36.5% | $353K | $3M | $3M |
|
The Conformist | 2014 | 45.2 | 38.7% | 30.0% | $59K | $7M | $9M |
|
On the Adamant | 2024 | 45.0 | 28.7% | 45.9% | $815K | $631K | $648K |
|
You Ain't Seen Nothin' Yet | 2013 | 45.0 | 25.0% | 55.9% | $1M | -$4M | -$6M |
|
Obit. | 2017 | 44.7 | 30.6% | 41.4% | $315K | $8M | $11M |
| Kumaré | 2012 | 44.5 | 39.5% | 35.5% | $132K | $11M | $15M | |
|
The Wound | 2017 | 44.5 | 34.6% | 38.7% | $213K | $4M | $5M |
|
Never Gonna Snow Again | 2021 | 44.4 | 35.5% | 36.8% | $168K | $3M | $3M |
|
Being Maria | 2025 | 44.4 | 29.6% | 54.3% | $2M | -$725K | -$725K |
|
Keep the Change | 2018 | 43.9 | 30.6% | 37.3% | $203K | $6M | $8M |
|
Pasolini | 2019 | 43.8 | 54.2% | 16.4% | $31K | $2M | $3M |
|
Neptune Frost | 2022 | 43.6 | 31.8% | 38.0% | $210K | $7M | $8M |
|
Let the Corpses Tan | 2018 | 43.5 | 45.8% | 28.0% | $93K | $4M | $6M |
|
Dawson City: Frozen Time | 2016 | 43.3 | 31.8% | 35.3% | $132K | $7M | $10M |