First Run
Dynamic entity page generated from imported ScreenProfits movie metadata.
Distributor
Studio
Movies228
Years1989-2020
Avg Score30.1
Worldwide Gross$37,727,716
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Never Stand Still | 2012 | 61.6 | 88.4% | 13.3% | $14K | -$4M | -$6M |
|
Film Geek | 2006 | 59.7 | 82.7% | 16.1% | $17K | -$161M | -$251M |
|
Last Cab to Darwin | 2016 | 58.3 | 43.5% | 64.2% | $6M | $5M | $7M |
|
Jane's Journey | 2011 | 58.1 | 76.5% | 34.0% | $218K | $5M | -$76M |
|
Vince Giordano: There's a Future in the Past | 2017 | 57.3 | 77.9% | 14.4% | $15K | -$5M | -$6M |
|
49 Up | 2006 | 57.2 | 53.2% | 46.3% | $697K | $19M | $31M |
|
Miss Hill: Making Dance Matter | 2015 | 56.8 | 83.8% | 5.7% | $5K | $1M | $1M |
|
56 Up | 2013 | 56.1 | 45.9% | 52.4% | $701K | $15M | $21M |
|
Next Year Jerusalem | 2014 | 56.1 | 92.5% | 9.2% | $8K | $2M | -$169M |
|
Our City Dreams | 2009 | 55.9 | 78.2% | 18.5% | $35K | $8M | -$119M |
|
Secret Society | 2002 | 55.2 | 86.4% | 4.3% | $5K | -$111M | -$193M |
|
The Happy House | 2013 | 54.6 | 90.1% | 1.9% | $2K | -$13M | -$18M |
|
A Wink and a Smile | 2009 | 54.4 | 78.0% | 13.0% | $20K | $5M | $8M |
|
Before Stonewall | 2019 | 53.8 | 74.3% | 13.0% | $19K | $2M | $2M |
|
The Goebbels Experiment | 2005 | 53.7 | 62.6% | 23.1% | $47K | -$5M | -$7M |
|
Last Dance | 2002 | 53.7 | 85.3% | 8.9% | $16K | -$11M | -$19M |
|
Talent Has Hunger | 2016 | 53.2 | 75.7% | 6.6% | $8K | $723K | $969K |
|
Speed Sisters | 2017 | 52.6 | 92.7% | 2.3% | $3K | $65K | -$153M |
|
Special Treatment | 2011 | 52.3 | 56.4% | 37.4% | $294K | -$9M | -$12M |
|
Stefan Zweig: Farewell to Europe | 2017 | 51.1 | 38.4% | 52.7% | $1M | $5M | $7M |
|
Triumph of the Wall | 2013 | 50.5 | 78.4% | 0.1% | $476 | -$257K | -$135M |
|
Ghosted | 2009 | 49.5 | 78.4% | 1.1% | $2K | -$26M | -$38M |
|
Three Stars | 2012 | 49.4 | 78.5% | 8.8% | $9K | $2M | -$38M |
|
For the Bible Tells Me So | 2007 | 49.3 | 38.6% | 39.8% | $313K | $19M | $30M |
|
Torremolinos 73 | 2005 | 49.0 | 34.4% | 57.0% | $2M | $13M | $22M |
|
Go for Zucker | 2005 | 49.0 | 29.9% | 65.3% | $8M | $15M | $25M |
|
The End of Time | 2013 | 48.7 | 71.9% | 5.5% | $4K | $1M | $1M |
|
Girlfriends | 1996 | 48.1 | 64.9% | 3.9% | $18K | $919K | $2M |
|
The Bridesmaid | 2006 | 47.3 | 27.4% | 57.4% | $3M | $10M | $16M |
|
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers | 2010 | 47.3 | 31.1% | 44.2% | $454K | $17M | $25M |
|
Off and Running | 2010 | 46.8 | 63.9% | 15.0% | $18K | $5M | -$32M |
|
Invisible Hands | 2018 | 46.2 | 63.7% | 0.1% | $1K | -$21K | -$27K |
|
Eastern Boys | 2015 | 45.2 | 37.9% | 34.9% | $164K | $1M | $2M |
|
Electric Shadows | 2005 | 45.0 | 45.8% | 25.2% | $57K | $2M | $3M |
|
American Teacher | 2011 | 44.7 | 65.3% | 16.4% | $33K | -$16M | -$22M |
|
The Pusher | 1999 | 44.4 | 66.9% | 1.2% | $2K | -$128K | -$247K |
|
The Great Role | 2005 | 43.4 | 43.9% | 36.6% | $231K | -$105M | -$170M |
|
Maidentrip | 2013 | 43.3 | 36.3% | 31.6% | $68K | $8M | $12M |
|
The Trials of Henry Kissinger | 2002 | 42.4 | 25.7% | 39.8% | $521K | $19M | $33M |
|
Nobody Else But You | 2012 | 42.3 | 32.4% | 37.2% | $150K | $4M | $6M |
|
Welcome to Leith | 2015 | 41.9 | 40.2% | 21.0% | $36K | $5M | $7M |
|
Kings of Pastry | 2010 | 41.1 | 25.0% | 41.9% | $336K | $15M | $23M |
|
War Photographer | 2002 | 40.7 | 37.6% | 19.5% | $87K | $7M | $12M |
|
The Embalmer | 2003 | 40.3 | 30.0% | 36.6% | $384K | $8M | $13M |
|
Surviving Progress | 2012 | 40.3 | 34.5% | 28.0% | $54K | $8M | $11M |
|
Secret Things | 2004 | 40.1 | 40.1% | 35.3% | $222K | $13M | $23M |
|
Stolen Moments | 1998 | 40.1 | 49.2% | 3.5% | $10K | -$2M | -$3M |
|
Howard Zinn: You Can't Be Neutral on a Moving Train | 2004 | 39.3 | 25.5% | 30.1% | $122K | $14M | $23M |
|
House of the Sleeping Beauties | 2008 | 38.8 | 63.9% | 3.9% | $5K | -$2M | -$3M |
|
The Looking Glass | 2015 | 38.8 | 65.4% | 1.8% | $2K | -$190M | -$252M |