A24
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Production Company
Distributor
Movies154
Years2006-2026
Avg Score67.2
Worldwide Gross$2,804,739,138
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Mississippi Grind | 2015 | 60.5 | 69.9% | 42.0% | $423K | -$8M | -$11M |
|
Ginger & Rosa | 2013 | 60.1 | 58.6% | 59.7% | $2M | -$2M | -$3M |
|
The Captive | 2014 | 59.6 | 69.2% | 59.6% | $2M | -$3M | -$4M |
|
Heretic | 2023 | 59.3 | 94.9% | 1.4% | $5K | -$11M | -$12M |
|
Talk to Me | 2023 | 59.1 | 26.6% | 87.5% | $92M | $45M | $48M |
|
The Inspection | 2022 | 58.2 | 53.9% | 49.1% | $551K | -$3M | -$4M |
|
Opus | 2025 | 57.4 | 63.1% | 53.9% | $2M | -$11M | -$11M |
|
Showing Up | 2023 | 57.2 | 56.6% | 51.8% | $1M | -$2M | -$2M |
|
The Eternal Daughter | 2022 | 56.2 | 56.5% | 49.3% | $568K | -$873K | -$961K |
|
The Lovers | 2017 | 55.6 | 51.4% | 57.2% | $2M | -$3M | -$4M |
|
How to Talk to Girls at Parties | 2018 | 55.5 | 67.8% | 44.8% | $386K | -$575K | -$737K |
|
The Front Room | 2024 | 55.4 | 57.2% | 60.4% | $3M | -$4M | -$4M |
|
The Blackcoat's Daughter | 2017 | 54.8 | 73.2% | 26.0% | $38K | -$331K | -$435K |
|
Aftersun | 2022 | 54.6 | 28.1% | 72.9% | $9M | -$3M | -$3M |
|
Barely Lethal | 2015 | 54.5 | 66.3% | 49.3% | $934K | -$17M | -$23M |
|
Krisha | 2016 | 54.3 | 56.0% | 36.1% | $145K | -$10K | -$13K |
|
Menashe | 2017 | 54.3 | 42.5% | 56.2% | $2M | -$2M | -$3M |
|
The Sea of Trees | 2016 | 53.9 | 64.8% | 48.7% | $851K | -$28M | -$37M |
|
Life After Beth | 2014 | 53.5 | 66.1% | 43.1% | $275K | -$3M | -$4M |
|
Dicks: The Musical | 2023 | 53.0 | 47.6% | 53.7% | $1M | -$9M | -$9M |
|
The Souvenir: Part II | 2021 | 52.9 | 45.6% | 44.6% | $381K | -$560K | -$665K |
|
De Palma | 2016 | 52.7 | 49.3% | 38.1% | $168K | -$254K | -$341K |
|
The Monster | 2016 | 52.3 | 66.6% | 29.4% | $75K | -$3M | -$4M |
|
Trespass Against Us | 2017 | 51.3 | 58.1% | 45.8% | $517K | -$828K | -$1M |
|
Janet Planet | 2024 | 50.7 | 47.8% | 45.6% | $806K | -$915K | -$939K |
| Moonlight | 2006 | 50.6 | 52.9% | 25.6% | $52K | -$5M | -$7M | |
|
Woman Walks Ahead | 2018 | 50.0 | 62.7% | 26.7% | $81K | -$6M | -$7M |
|
The Death of Dick Long | 2019 | 49.1 | 61.2% | 18.0% | $37K | -$323K | -$406K |
|
When You Finish Saving the World | 2023 | 47.4 | 53.0% | 30.4% | $197K | -$257K | -$271K |
|
Morris from America | 2016 | 46.4 | 46.9% | 31.4% | $91K | -$272K | -$365K |
|
Seven | 2025 | 46.4 | 25.2% | 50.3% | $2M | -$47M | -$47M |
|
The Audience | 2019 | 45.8 | 28.8% | 48.9% | $523K | -$12M | -$15M |
|
Never Goin' Back | 2018 | 43.8 | 48.8% | 23.3% | $61K | -$300K | -$385K |
|
On Becoming a Guinea Fowl | 2025 | 43.7 | 38.4% | 29.0% | $237K | -$305K | -$305K |
|
The River and the Wall | 2019 | 43.0 | 34.1% | 34.5% | $184K | -$12M | -$15M |
|
A Glimpse Inside the Mind of Charles Swan III | 2013 | 41.5 | 47.6% | 42.2% | $211K | -$13M | -$18M |
|
The Ballad of Lefty Brown | 2017 | 41.0 | 55.0% | 8.4% | $8K | -$9M | -$12M |
|
Into the Forest | 2016 | 40.6 | 54.3% | 31.7% | $92K | -$11M | -$15M |
|
The Last Movie Star | 2018 | 40.2 | 52.2% | 9.3% | $14K | -$344K | -$440K |
|
Architecton | 2025 | 37.7 | 23.5% | 30.1% | $265K | -$318K | -$318K |
|
Simple Creature | 2017 | 35.2 | 37.4% | 20.4% | $24K | -$3M | -$4M |
|
Woodshock | 2017 | 34.0 | 41.5% | 26.7% | $44K | -$6M | -$7M |
|
All Dirt Roads Taste of Salt | 2023 | 33.7 | 29.9% | 16.9% | $53K | -$310K | -$328K |
|
Mojave | 2016 | 33.1 | 44.7% | 7.5% | $9K | -$349K | -$468K |
|
An Elephant's Journey | 2018 | 32.4 | 25.0% | 14.8% | $25K | -$334K | -$428K |
|
The Adderall Diaries | 2016 | 32.3 | 48.0% | 12.3% | $15K | -$344K | -$461K |
|
Tuesday | 2024 | 29.3 | 4.3% | 44.6% | $760K | -$883K | -$907K |
|
Ran | 2025 | 23.3 | 4.2% | 26.8% | $206K | -$13M | -$13M |
|
Jihadists | 2019 | 17.3 | 12.4% | 0.7% | $2K | -$355K | -$447K |
|
Backrooms | 2026 | N/A | N/A | N/A | $390M | $194M | $0 |