A24
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Production Company
Distributor
Movies154
Years2006-2026
Avg Score67.2
Worldwide Gross$2,804,739,138
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Green Room | 2016 | 77.2 | 89.3% | 60.1% | $4M | $10M | $14M |
|
Close | 2023 | 76.5 | 79.9% | 66.1% | $5M | $5M | $5M |
|
Swiss Army Man | 2016 | 76.1 | 88.1% | 63.1% | $5M | $13M | $18M |
|
I Saw the TV Glow | 2024 | 75.7 | 82.0% | 68.9% | $5M | $4M | $4M |
|
C'mon C'mon | 2021 | 75.6 | 77.1% | 69.6% | $4M | $10M | $12M |
|
Death of a Unicorn | 2025 | 75.5 | 80.7% | 76.3% | $16M | -$10M | -$10M |
|
Friendship | 2025 | 75.5 | 73.9% | 76.5% | $17M | $832K | $832K |
|
Men | 2022 | 75.3 | 84.6% | 74.0% | $11M | $8M | $8M |
|
While We're Young | 2015 | 75.0 | 79.5% | 73.7% | $17M | $7M | $10M |
|
20th Century Women | 2016 | 74.6 | 78.6% | 66.8% | $7M | $7M | $10M |
|
The Last Black Man in San Francisco | 2019 | 74.5 | 74.7% | 68.4% | $5M | $10M | $12M |
|
Waves | 2019 | 74.4 | 79.7% | 64.0% | $3M | $5M | $7M |
|
Climax | 2019 | 74.3 | 87.8% | 60.9% | $2M | $8M | $10M |
|
Queer | 2024 | 73.6 | 76.4% | 72.4% | $7M | -$46M | -$46M |
|
The Bling Ring | 2013 | 73.4 | 81.8% | 76.4% | $20M | $14M | $19M |
|
Eddington | 2025 | 73.2 | 75.4% | 73.7% | $14M | -$22M | -$22M |
|
The Children Act | 2018 | 72.7 | 69.8% | 78.6% | $18M | $5M | $7M |
|
Red Rocket | 2021 | 72.5 | 76.4% | 63.2% | $2M | $16M | $19M |
|
Lamb | 2021 | 72.4 | 78.2% | 65.5% | $3M | $15M | $18M |
|
First Cow | 2020 | 72.1 | 75.4% | 63.9% | $1M | $16M | $20M |
|
A Ghost Story | 2017 | 71.9 | 84.4% | 56.1% | $2M | $15M | $19M |
|
Under the Silver Lake | 2019 | 71.6 | 84.0% | 62.1% | $2M | -$13M | -$16M |
|
Gloria Bell | 2019 | 71.2 | 69.3% | 75.1% | $11M | $8M | $10M |
|
High Life | 2019 | 70.9 | 81.6% | 62.3% | $2M | $3M | $4M |
|
A Different Man | 2024 | 70.7 | 79.2% | 51.3% | $2M | $5M | $5M |
|
Zola | 2021 | 70.5 | 68.3% | 70.7% | $5M | $15M | $18M |
|
You Hurt My Feelings | 2023 | 70.5 | 70.7% | 66.9% | $6M | $4M | $4M |
|
The End of the Tour | 2015 | 70.4 | 73.7% | 58.7% | $3M | $13M | $17M |
|
Free Fire | 2017 | 70.2 | 80.8% | 61.6% | $4M | $6M | $7M |
|
A Prayer Before Dawn | 2018 | 69.8 | 77.4% | 54.1% | $959K | $106K | $136K |
|
Slow West | 2015 | 69.8 | 78.7% | 52.5% | $1M | $10M | $13M |
|
The Hole in the Ground | 2019 | 69.6 | 75.1% | 65.8% | $3M | -$703K | -$885K |
|
Obvious Child | 2014 | 68.8 | 68.8% | 63.6% | $3M | $18M | $25M |
|
American Honey | 2016 | 68.8 | 77.2% | 56.7% | $2M | $8M | $11M |
|
Lean on Pete | 2018 | 68.7 | 69.1% | 61.7% | $2M | $2M | $3M |
|
The Rover | 2014 | 67.6 | 75.8% | 61.0% | $3M | $4M | $6M |
|
Parthenope | 2025 | 67.0 | 68.4% | 71.9% | $12M | -$32M | -$32M |
|
After Yang | 2022 | 66.4 | 74.0% | 51.2% | $746K | -$17M | -$18M |
|
The Souvenir | 2019 | 66.2 | 70.5% | 61.5% | $2M | $9M | $11M |
|
Laggies | 2014 | 66.1 | 73.6% | 60.4% | $2M | $13M | $17M |
|
Tusk | 2014 | 65.1 | 79.1% | 59.0% | $2M | $14M | $20M |
|
Problemista | 2024 | 64.8 | 62.4% | 58.9% | $3M | $5M | $5M |
|
Y2K | 2024 | 64.3 | 70.5% | 66.1% | $4M | -$7M | -$7M |
|
Dark Places | 2015 | 64.1 | 76.9% | 63.8% | $5M | -$2M | -$2M |
|
Sorry, Baby | 2025 | 63.9 | 58.9% | 57.6% | $3M | $2M | $2M |
|
Highest 2 Lowest | 2025 | 62.4 | 65.3% | 49.0% | $2M | $4M | $4M |
|
Oasis: Supersonic | 2016 | 62.3 | 60.1% | 53.3% | $2M | $9M | $11M |
|
The Legend of Ochi | 2025 | 61.7 | 58.5% | 63.1% | $5M | -$6M | -$6M |
|
Equals | 2016 | 61.4 | 72.8% | 56.5% | $2M | $2M | $3M |
|
The Exception | 2017 | 61.4 | 66.8% | 49.2% | $873K | $10M | $13M |