SCREEN PROFITS REPORT
The Winter Guest
1997 · Alan Rickman · Steve Clark-Hall | Edward R. Pressman · 1 hr 48 min
A recent widow, who is determined to leave Scotland for Australia with her son, gets an unexpected visit from her aging mother.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Phyllida Law | 1997 | $28,710 | $57,581 | (est) |
| Emma Thompson | 1997 | $95,700 | $191,937 | (est) |
| Sheila Reid | 1997 | $66,990 | $134,356 | (est) |
| Sandra Voe | 1997 | $7,656 | $15,355 | (est) |
| Arlene Cockburn | 1997 | $4,785 | $9,597 | (est) |
| Gary Hollywood | 1997 | $2,871 | $5,758 | (est) |
| Sean Biggerstaff | 1997 | $19,140 | $38,387 | (est) |
| Douglas Murphy | 1997 | $2,871 | $5,758 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1997 | $870,290 | $1,745,460 |
| International International theatrical box office gross. | 1997 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1997 | $870,290 | $1,700,997 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1997 | $435,145 (est) | $872,730 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1997 | $148,814 | $298,461 |
| Physical Purchases Physical Purchases: VHS $97,441, DVD $984 | 1997 | $98,425 | $197,402 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1997 | $207,300 (est) | $415,763 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1997 | $889,684 | $1,784,357 |
| Expenses | |||
| Budget Production budget. | 1997 | $957,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $818,926 | Reg Main Pred: $2,074,843 | 1997 | $696,000 (est) | $1,395,903 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $20,374 (est) | $40,862 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $114,840 (est) | $230,324 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1997 | $1,788,214 | $3,586,455 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1997 | $-898,530 | $-1,802,098 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.