SCREEN PROFITS REPORT
The Sting II
1983 · Jeremy Paul Kagan · Jennings Lang · 1 hr 41 min
A team of cons is planning a new scam involving betting on a boxing match but one of its past victims aims to exact revenge by eliminating the whole group.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Jackie Gleason | 1983 | $505,694 | $1,634,366 | (est) |
| Mac Davis | 1983 | $152,860 | $494,032 | (est) |
| Teri Garr | 1983 | $203,522 | $657,768 | (est) |
| Karl Malden | 1983 | $295,347 | $954,540 | (est) |
| Oliver Reed | 1983 | $267,505 | $864,557 | (est) |
| Ron Rifkin | 1983 | $152,860 | $494,032 | (est) |
| John Hancock | 1983 | $22,929 | $74,105 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1983 | $6,347,072 | $20,513,278 |
| International International theatrical box office gross. | 1983 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1983 | $6,347,072 | $19,990,728 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1983 | $2,951,388 (est) | $9,538,674 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1983 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1983 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1983 | $317,844 | $1,027,248 |
| Physical Purchases Physical Purchases: VHS $102,421 | 1983 | $102,421 | $331,018 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1983 | $1,672,323 (est) | $5,404,827 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1983 | $5,043,976 | $16,301,767 |
| Expenses | |||
| Budget Production budget. | 1983 | $7,643,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 2 | Reg Box Pred: $2,387,308 | Reg Main Pred: $2,446,391 | 1983 | $2,405,000 (est) | $7,772,786 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1983 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1983 | $89,783 (est) | $290,171 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1983 | $863,659 (est) | $2,791,283 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1983 | $11,001,442 | $35,555,865 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1983 | $-5,957,465 | $-19,254,098 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.