SCREEN PROFITS REPORT
The Sound of Music
2018 · Robert Wise · Robert Wise · 2 hr 52 min
A young novice is sent by her convent in 1930s Austria to become a governess to the seven children of a widowed naval officer.
SCREEN PROFITS REPORT
2018 · Robert Wise · Robert Wise · 2 hr 52 min
A young novice is sent by her convent in 1930s Austria to become a governess to the seven children of a widowed naval officer.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Julie Andrews | 2018 | $225,000in this beloved. film released in 1965 Julie Andrews was paid approximately $225,000. for her role as Maria.source | $288,441 | (rep) |
| Christopher Plummer | 2018 | $490,910 | $629,327 | (est) |
| Richard Haydn | 2018 | $198,235 | $254,129 | (est) |
| Peggy Wood | 2018 | $162,078 | $207,777 | (est) |
| Charmian Carr | 2018 | $138,639 | $177,730 | (est) |
| Eleanor Parker | 2018 | $122,028 | $156,435 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2018 | $616,171 | $789,906 |
| International International theatrical box office gross. | 2018 | $8,221 | $10,539 |
| Worldwide Combined worldwide theatrical box office gross. | 2018 | $624,392 | $780,055 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2018 | $311,374 (est) | $399,169 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2018 | $65,230 | $83,622 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2018 | $66,951 | $85,828 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2018 | $14,323 | $18,362 |
| Physical Purchases Physical Purchases: DVD $21,461, BluRay $13,154 | 2018 | $34,615 | $44,375 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2018 | $110,362 (est) | $141,480 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2018 | $602,855 | $772,836 |
| Expenses | |||
| Budget Production budget. | 2018 | $8,200,000 | $10,244,285 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $1,509,683 | Reg Main Pred: $5,704,420 | 2018 | $500,000 (est) | $640,980 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $8,741 (est) | $11,206 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $984,000 (est) | $1,261,448 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2018 | $9,692,741 | $12,157,919 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2018 | $-9,089,886 | $-11,385,083 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.