SCREEN PROFITS REPORT
The Shack
2017 · Stuart Hazeldine · Gil Netter | Brad Cummings · 2 hr 12 min
A grieving man receives a mysterious, personal invitation to meet with God at a place called "The Shack."
SCREEN PROFITS REPORT
2017 · Stuart Hazeldine · Gil Netter | Brad Cummings · 2 hr 12 min
A grieving man receives a mysterious, personal invitation to meet with God at a place called "The Shack."
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Sam Worthington | 2017 | $2,976,383 | $3,909,007 | (est) |
| Octavia Spencer | 2017 | $452,394 | $594,148 | (est) |
| Avraham Aviv Alush | 2017 | $604,374 | $793,749 | (est) |
| Radha Mitchell | 2017 | $517,912 | $680,195 | (est) |
| Alice Braga | 2017 | $700,000 | $919,339 | (est) |
| Tim McGraw | 2017 | $400,000 | $525,337 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2017 | $57,386,418 | $75,367,964 |
| International International theatrical box office gross. | 2017 | $39,555,697 | $51,950,138 |
| Worldwide Combined worldwide theatrical box office gross. | 2017 | $96,942,115 | $124,074,833 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2017 | $44,515,488 (est) | $58,464,037 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2017 | $5,622,722 | $7,384,554 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2017 | $5,398,103 | $7,089,552 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2017 | $1,559,660 | $2,048,367 |
| Physical Purchases Physical Purchases: DVD $2,269,625, BluRay $1,265,616 | 2017 | $3,535,241 | $4,642,979 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2017 | $10,287,282 (est) | $13,510,715 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2017 | $70,918,496 | $93,140,203 |
| Expenses | |||
| Budget Production budget. | 2017 | $20,000,000 | $25,597,715 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 4 | Peer Median: $30,000,000 | Reg Box Pred: $31,617,754 | Reg Main Pred: $39,342,029 | 2017 | $25,000,000 (est) | $32,833,537 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $2,492,474 (est) | $3,273,469 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $1,063,777 (est) | $1,397,103 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $2,400,000 (est) | $3,152,020 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2017 | $50,956,251 | $66,253,844 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2017 | $19,962,245 | $26,886,359 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.