SCREEN PROFITS REPORT
2016 · 1 hr 30 min
The Seasons in Quincy' is the result of a five-year project by Tilda Swinton, Colin MacCabe and Christopher Roth to produce a portrait of the intellectual and storyteller John Berger. It was produced by the Derek Jarman Lab, an audio-visual hub for graduate filmmaking based at Birkbeck, University of London, in collaboration with the composer Simon Fisher Turner.
No cast records have been imported yet.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2016 | $28,456 | $38,167 |
| International International theatrical box office gross. | 2016 | $32,811 | $44,008 |
| Worldwide Combined worldwide theatrical box office gross. | 2016 | $61,267 | $80,081 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2016 | $27,352 (est) | $36,686 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2016 | $3,361 | $4,508 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2016 | $2,916 | $3,912 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2016 | $1,334 | $1,789 |
| Physical Purchases Physical Purchases: DVD $1,919, BluRay $971 | 2016 | $2,890 | $3,876 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2016 | $5,350 (est) | $7,175 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2016 | $43,203 | $57,946 |
| Expenses | |||
| Budget Production budget. | 2016 | $250,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $112,345 | Reg Main Pred: $410,451 | 2016 | $80,000 (est) | $107,300 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $665 (est) | $892 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $30,000 (est) | $40,237 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2016 | $360,665 | $483,742 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2016 | $-317,462 | $-425,797 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
