Synopsis
The Seasons in Quincy' is the result of a five-year project by Tilda Swinton, Colin MacCabe and Christopher Roth to produce a portrait of the intellectual and storyteller John Berger. It was produced by the Derek Jarman Lab, an audio-visual hub for graduate filmmaking based at Birkbeck, University of London, in collaboration with the composer Simon Fisher Turner.
Scores
Popularity Percentile (Year)
7.3%
Box Office Percentile (Year)
27.0%
Critic Consensus
70.8% Fresh • 24 critic reviews
Critic reception is mixed, with 71% of 24 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize thin plot, emotional, stylized. Common reservations focus on thin plot, even when reviewers praise standout elements.
thin plotemotionalstylizedpoliticalthought-provokingcharacter-driven
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score71.0
RT critic review count24
Rotten Tomatoes audience score49.0
RT audience rating count50
IMDb rating6.7
IMDb votes254
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2016 | $28,456 | $37,194 |
| International | 2016 | $32,811 | $42,887 |
| Worldwide | 2016 | $61,267 | $80,081 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2016 | $27,352 | $35,752 |
| Digital Rentals ? | 2016 | $683,000 | $892,738 |
| Digital Purchases ? | 2016 | $696,000 | $909,730 |
| Physical Rentals ? | 2016 | $600,000 | $784,250 |
| Physical Purchases ? | 2016 | $1,692,000 | $2,211,585 |
| TV & Streaming Revenue | 2016 | $75,000 | $98,031 |
| Total Revenues | 2016 | $3,773,352 | $4,932,086 |
| Expenses |
| Budget ? | 2016 | $250,000 (est) | $326,771 (est) |
| Print & Advertising (P&A) ? | 2016 | $80,000 (est) | $104,567 (est) |
| Participations | 2016 | $151,000 | $197,370 |
| Residuals ? | 2016 | $207,000 | $270,566 |
| Interest & Overhead | 2016 | $50,000 | $65,354 |
| Total Expenses | 2016 | $738,000 | $964,628 |
| Movie Net Profit or Loss | 2016 | $3,035,352 | $3,967,459 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Won't You Be My Neighbor? | 2018 | Shared genres: 2 | 81.8 | $15,069,865 |
 | Three Identical Strangers | 2018 | Shared genres: 2 | 81.2 | $14,259,486 |
 | Amy | 2015 | Shared genres: 2 | 80.1 | $22,715,889 |
 | Searching for Sugar Man | 2012 | Shared genres: 2 | 77.4 | $23,551,234 |
 | Senna | 2011 | Shared genres: 2 | 75.3 | $18,376,079 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $1,128,000, BluRay $564,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=112345;reg_main_pred=410451
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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