Synopsis
In a dystopian near future, according to the laws of The City, single people are taken to The Hotel, where they are obliged to find a romantic partner in 45 days or they're transformed into beasts and sent off into The Woods.
Scores
Overall Score
81.6
Popularity Percentile (Year)
96.5%
Box Office Percentile (Year)
66.1%
Review Aggregate
75.3
Critic Consensus
Critic reception is largely positive, with 87% of 270 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize funny, satirical, romantic. Most critics frame the film as an effective delivery of its core style and intent.
funnysatiricalromanticdarkemotionalsurrealtragicstylizedthought-provokingvisually striking
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|---|---|---|---|
| Colin Farrell | 2016 | $154,000 | $201,000 | (est) |
| Rachel Weisz | 2016 | $95,000 | $124,000 | (est) |
| Jessica Barden | 2016 | $71,000 | $93,000 | (est) |
| Olivia Colman | 2016 | $58,000 | $76,000 | (est) |
| Ashley Jensen | 2016 | $50,000 | $65,000 | (est) |
| Ariane Labed | 2016 | $44,000 | $57,000 | (est) |
| Angeliki Papoulia | 2016 | $39,000 | $52,000 | (est) |
| John C. Reilly | 2016 | $36,000 | $47,000 | (est) |
| Léa Seydoux | 2016 | $33,000 | $43,000 | (est) |
| Michael Smiley | 2016 | $31,000 | $40,000 | (est) |
| Ben Whishaw | 2016 | $29,000 | $38,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score87.0
RT critic review count270
Rotten Tomatoes audience score65.0
RT audience rating count25,000
IMDb rating7.1
IMDb votes323,383
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic | 2016 | $376,871 | $492,602 |
| International | 2016 | $6,279,835 | $8,208,268 |
| Worldwide | 2016 | $6,656,706 | $8,700,869 |
Earnings / Profitability
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue | 2016 | $2,700,370 | $3,529,608 |
| Digital Rentals ? | 2016 | $2,603,000 | $3,402,338 |
| Digital Purchases ? | 2016 | $2,653,000 | $3,467,692 |
| Physical Rentals ? | 2016 | $2,285,000 | $2,986,685 |
| Physical Purchases ? | 2016 | $6,448,000 | $8,428,073 |
| TV & Streaming Revenue | 2016 | $169,592 | $221,671 |
| Total Revenues | 2016 | $16,858,961 | $22,036,068 |
| Expenses | |||
| Budget ? | 2016 | $4,000,000 | $5,228,333 |
| Print & Advertising (P&A) ? | 2016 | $3,763,000 (est) | $4,918,555 (est) |
| Participations | 2016 | $674,000 | $880,974 |
| Residuals ? | 2016 | $809,000 | $1,057,430 |
| Interest & Overhead | 2016 | $800,000 | $1,045,667 |
| Total Expenses | 2016 | $10,046,000 | $13,130,959 |
| Movie Net Profit or Loss | 2016 | $6,812,961 | $8,905,108 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|---|---|---|---|---|
 | Passengers | 2016 | Shared genres: 4 | 88.1 | $-38,166,195 |
 | The Adjustment Bureau | 2011 | Shared genres: 4 | 87.8 | $6,402,227 |
 | The Giver | 2014 | Shared genres: 4 | 80.3 | $6,697,813 |
 | The Host | 2013 | Shared genres: 4 | 75.3 | $-11,897,408 |
 | The Darkest Minds | 2018 | Shared genres: 4 | 75.2 | $-23,822,513 |