SCREEN PROFITS REPORT
2019 · John Crowley · Nina Jacobson | Brad Simpson · 2 hr 29 min
A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Ansel Elgort | 2019 | $2,516,240 | $3,167,687 | (est) |
| Oakes Fegley | 2019 | $1,479,060 | $1,861,984 | (est) |
| Aneurin Barnard | 2019 | $400,000 | $503,559 | (est) |
| Finn Wolfhard | 2019 | $666,860 | $839,508 | (est) |
| Sarah Paulson | 2019 | $277,329 | $349,129 | (est) |
| Luke Wilson | 2019 | $753,044 | $948,005 | (est) |
| Jeffrey Wright | 2019 | $900,000 | $1,133,007 | (est) |
| Nicole Kidman | 2019 | $900,000 | $1,133,007 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2019 | $5,332,621 | $6,713,221 |
| International International theatrical box office gross. | 2019 | $4,700,000 | $5,916,817 |
| Worldwide Combined worldwide theatrical box office gross. | 2019 | $10,032,621 | $12,308,304 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2019 | $4,546,311 (est) | $5,723,337 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2019 | $953,262 | $1,200,059 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2019 | $1,006,588 | $1,267,191 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2019 | $184,989 | $232,883 |
| Physical Purchases Physical Purchases: DVD $295,983, BluRay $197,322 | 2019 | $493,305 | $621,020 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2019 | $1,019,041 (est) | $1,282,868 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2019 | $8,203,496 | $10,327,358 |
| Expenses | |||
| Budget Production budget. | 2019 | $45,000,000 | $55,207,274 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: The Goldfinch (2019): Oscar Bait Fiasco - Bomb ReportURL: https://bombreport.com/yearly-breakdowns/2019-2/the-goldfinch/WB did support The Goldfinch with a solid marketing campaign and spent $13.64 million on TV ads (as per iSpotTV) — and after other distribution expenses and promotional costs, the domestic P&A was at least $35M. | 2019 | $35,000,000 | $44,061,400 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $115,669 (est) | $145,616 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2019 | $5,400,000 (est) | $6,798,045 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2019 | $85,515,669 | $106,212,335 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2019 | $-77,312,173 | $-95,884,976 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
