SCREEN PROFITS REPORT
The Commuter
2018 · Jaume Collet-Serra · Andrew Rona | Alex Heineman · 1 hr 44 min
An insurance salesman/ex-cop is caught up in a life-threatening conspiracy during his daily commute home.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Liam Neeson | 2018 | $2,186,493 | $2,802,995 | (est) |
| Vera Farmiga | 2018 | $711,185 | $911,710 | (est) |
| Patrick Wilson | 2018 | $979,377 | $1,255,522 | (est) |
| Jonathan Banks | 2018 | $359,996 | $461,500 | (est) |
| Sam Neill | 2018 | $939,511 | $1,204,415 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2018 | $36,343,858 | $46,591,350 |
| International International theatrical box office gross. | 2018 | $83,598,529 | $107,169,918 |
| Worldwide Combined worldwide theatrical box office gross. | 2018 | $119,942,387 | $149,844,392 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2018 | $51,611,341 (est) | $66,163,642 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2018 | $3,856,426 | $4,943,782 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2018 | $3,957,393 | $5,073,217 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2018 | $848,001 | $1,087,103 |
| Physical Purchases Physical Purchases: DVD $1,270,587, BluRay $778,747 | 2018 | $2,049,334 | $2,627,163 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2018 | $6,511,593 (est) | $8,347,598 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2018 | $68,834,089 | $88,242,506 |
| Expenses | |||
| Budget Production budget. | 2018 | $30,000,000 | $37,479,092 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 5 | Peer Median: $30,000,000 | Reg Box Pred: $31,598,812 | Reg Main Pred: $29,019,503 | 2018 | $30,281,000 (est) | $38,819,012 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $431,094 (est) | $552,646 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $998,094 (est) | $1,279,516 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $3,600,000 (est) | $4,615,054 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2018 | $65,310,189 | $82,745,320 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2018 | $3,523,900 | $5,497,186 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.