Our Blood Is Wine

2018 | Documentary

Synopsis

Filmmaker Emily Railsback and award-winning sommelier Jeremy Quinn provide intimate access to rural family life in the Republic of Georgia as they explore the rebirth of 8,000-year-old winemaking traditions almost lost during the period of Soviet rule. By using unobtrusive iPhone technology, Railsback brings the voices and ancestral legacies of modern Georgians directly to the viewer, revealing an intricate and resilient society that has survived regular foreign invasion and repeated attempts to erase Georgian culture. The revival of traditional winemaking is the central force driving this powerful, independent and autonomous nation to find its 21st century identity.

Scores

Overall Score
42.3
Popularity Percentile (Year)
50.7%
Box Office Percentile (Year)
8.8%
Review Aggregate
82.0

Critic Consensus

85.7% Fresh • 35 critic reviews

Critic reception is largely positive, with 86% of 35 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize satirical, macabre, psychological. Most critics frame the film as an effective delivery of its core style and intent.

satiricalmacabrepsychologicallightheartedcharacter-drivenemotional

Cast

CastYearReported SalaryInflation AdjustedNotes
Vincent Price2018$0$0(est)
Diana Rigg2018$0$0(est)
Ian Hendry2018$0$0(est)
Harry Andrews2018$0$0(est)
Coral Browne2018$0$0(est)
Robert Coote2018$0$0(est)
Jack Hawkins2018$0$0(est)
Michael Hordern2018$0$0(est)
Arthur Lowe2018$0$0(est)
Robert Morley2018$0$0(est)
Dennis Price2018$0$0(est)

Aggregated Reviews

Rotten Tomatoes critic score88.0
RT critic review count40
Rotten Tomatoes audience score81.0
RT audience rating count5,000
IMDb rating7.4
IMDb votes61

Box Office ?

CategoryYearReportedInflation Adjusted
Domestic2018$13,210$16,503
International2018N/AN/A
Worldwide2018$13,210$16,503

Earnings / Profitability

Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
CategoryYearReportedInflation Adjusted
Revenues
Theatrical Net Revenue2018$6,605$8,252
Digital Rentals ?2018$301,000$376,040
Digital Purchases ?2018$363,000$453,497
Physical Rentals ?2018$186,000$232,370
Physical Purchases ?2018$527,000$658,383
TV & Streaming Revenue2018$70,500$88,076
Total Revenues2018$1,454,105$1,816,618
Expenses
Budget ?2018$235,000 (est)$293,586 (est)
Print & Advertising (P&A) ?2018$80,000 (est)$99,944 (est)
Participations2018$58,000$72,460
Residuals ?2018$69,000$86,202
Interest & Overhead2018$47,000$58,717
Total Expenses2018$489,000$610,909
Movie Net Profit or Loss2018$965,105$1,205,709

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