Music Box Films
Dynamic entity page generated from imported ScreenProfits movie metadata.
Distributor
Studio
Movies154
Years2008-2025
Avg Score46.6
Worldwide Gross$702,299,026
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
The Girl with the Dragon Tattoo | 2010 | 88.4 | 90.5% | 88.2% | $104M | $14M | $22M |
|
The Guardians | 2018 | 84.8 | 96.8% | 66.4% | $4M | -$262M | -$329M |
|
A Man Called Ove | 2016 | 81.9 | 80.9% | 80.6% | $31M | $3M | $4M |
|
Ida | 2014 | 77.4 | 77.8% | 73.2% | $11M | $365K | $587K |
|
Tell No One | 2008 | 76.9 | 71.0% | 79.2% | $33M | -$8M | -$11M |
|
The Girl Who Played with Fire | 2010 | 76.8 | 75.4% | 83.0% | $67M | $11M | $16M |
|
The 100 Year-Old Man Who Climbed Out the Window and Disappeared | 2015 | 76.7 | 74.5% | 84.2% | $51M | -$58M | -$76M |
|
The Brand New Testament | 2016 | 74.1 | 73.9% | 73.9% | $16M | -$7M | -$9M |
|
Monsieur Lazhar | 2012 | 73.1 | 68.1% | 70.9% | $9M | -$3M | -$5M |
|
The Deep Blue Sea | 2012 | 72.9 | 90.9% | 60.8% | $3M | -$93M | -$127M |
|
The Girl Who Kicked the Hornet's Nest | 2010 | 72.0 | 71.6% | 78.1% | $44M | $7M | $11M |
|
Frantz | 2017 | 71.5 | 67.4% | 69.2% | $7M | -$13M | -$16M |
|
Bride Flight | 2011 | 70.7 | 90.3% | 41.4% | $501K | -$45M | -$63M |
|
The Last Sentence | 2014 | 69.4 | 83.1% | 44.9% | $328K | -$45M | -$60M |
|
Summer of 85 | 2021 | 68.4 | 65.2% | 67.1% | $4M | -$1M | -$2M |
|
Lost Illusions | 2022 | 68.3 | 56.2% | 72.6% | $9M | -$18M | -$19M |
|
The Crime Is Mine | 2023 | 68.0 | 56.4% | 72.0% | $10M | -$14M | -$15M |
|
OSS 117: Cairo, Nest of Spies | 2008 | 67.5 | 58.4% | 75.5% | $23M | -$12M | -$17M |
|
Ennio | 2024 | 67.2 | 58.7% | 65.3% | $4M | -$161K | -$165K |
|
And Then We Danced | 2020 | 66.8 | 68.3% | 52.0% | $621K | -$828K | -$1M |
|
Meru | 2015 | 66.4 | 65.1% | 56.6% | $2M | $1M | $2M |
|
Back to Burgundy | 2018 | 63.8 | 54.2% | 74.3% | $12M | -$9M | -$11M |
|
Le Week-End | 2014 | 63.7 | 54.5% | 71.1% | $9M | -$5M | -$7M |
|
OSS 117: Lost in Rio | 2010 | 63.2 | 53.2% | 73.1% | $22M | -$25M | -$35M |
|
Seasons | 2016 | 63.1 | 47.4% | 71.2% | $11M | $1M | $1M |
|
A Coffee in Berlin | 2014 | 63.0 | 58.4% | 62.2% | $3M | $353K | $494K |
|
Full Time | 2023 | 62.8 | 56.2% | 55.4% | $2M | -$3M | -$4M |
|
Potiche | 2011 | 62.6 | 47.3% | 77.3% | $32M | -$8M | -$10M |
|
Gainsbourg: A Heroic Life | 2011 | 62.3 | 52.8% | 69.9% | $12M | -$19M | -$27M |
|
Il Divo | 2009 | 62.1 | 49.2% | 66.8% | $11M | -$6M | -$8M |
|
Becoming Astrid | 2018 | 62.1 | 58.5% | 53.7% | $939K | -$6M | -$7M |
|
My Mother | 2016 | 61.7 | 53.8% | 68.1% | $8M | $2M | $3M |
|
North Face | 2010 | 61.7 | 52.8% | 62.2% | $7M | -$6M | -$8M |
|
A Quiet Passion | 2017 | 60.9 | 55.4% | 63.0% | $4M | -$9M | -$12M |
|
When Fall Is Coming | 2025 | 60.5 | 44.8% | 67.7% | $7M | -$5M | -$5M |
|
In the Aisles | 2019 | 60.0 | 59.2% | 52.4% | $695K | -$1M | -$1M |
| Revoir Paris | 2023 | 59.8 | 46.1% | 61.4% | $4M | -$36K | -$38K | |
|
Daaaaaali! | 2024 | 59.7 | 50.0% | 64.0% | $4M | -$7M | -$8M |
|
Mesrine: Killer Instinct | 2010 | 59.7 | 62.2% | 45.1% | $573K | -$56M | -$81M |
|
Piranhas | 2019 | 59.5 | 56.5% | 63.1% | $2M | -$3M | -$4M |
|
Seraphine | 2009 | 59.1 | 45.3% | 63.9% | $9M | -$3M | -$5M |
|
Other People's Children | 2023 | 59.0 | 45.7% | 59.6% | $3M | -$565K | -$597K |
|
Gett | 2015 | 58.5 | 50.4% | 52.2% | $1M | -$1M | -$2M |
|
The Midwife | 2017 | 58.2 | 41.1% | 68.7% | $7M | -$3M | -$4M |
|
Any Day Now | 2012 | 58.2 | 49.8% | 58.8% | $2M | -$3M | -$5M |
|
Edie | 2019 | 57.8 | 48.0% | 64.3% | $3M | -$4M | -$5M |
|
Mesrine: Public Enemy No. 1 | 2010 | 57.7 | 61.6% | 40.3% | $292K | -$56M | -$81M |
|
The Nature of Love | 2024 | 57.2 | 47.0% | 57.2% | $2M | -$267K | -$274K |
|
Ema | 2021 | 56.9 | 59.0% | 44.3% | $371K | -$561K | -$666K |
|
The Names of Love | 2011 | 56.3 | 42.9% | 63.3% | $7M | -$6M | -$8M |