SCREEN PROFITS REPORT
Night Watch
2006 · Timur Bekmambetov · Konstantin Ernst | Anatoli Maksimov · 1 hr 54 min
A fantasy-horror set in present-day Moscow where the respective forces that control daytime and nighttime do battle.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Konstantin Khabensky | 2006 | $219,079 | $349,809 | (est) |
| Mariya Poroshina | 2006 | $134,859 | $215,333 | (est) |
| Aleksei Chadov | 2006 | $101,535 | $162,124 | (est) |
| Gosha Kutsenko | 2006 | $83,015 | $132,552 | (est) |
| Igor Lifanov | 2006 | $71,010 | $113,384 | (est) |
| Jeanna Friske | 2006 | $62,502 | $99,799 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2006 | $1,502,188 | $2,398,583 |
| International International theatrical box office gross. | 2006 | $16,437,201 | $26,245,709 |
| Worldwide Combined worldwide theatrical box office gross. | 2006 | $17,939,389 | $27,914,615 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2006 | $7,325,974 (est) | $11,697,575 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2006 | $31,355 | $50,065 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2006 | $9,330 | $14,897 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2006 | $302,883 | $483,621 |
| Physical Purchases Physical Purchases: DVD $448,835, BluRay $4,534 | 2006 | $453,368 | $723,905 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2006 | $338,204 (est) | $540,019 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2006 | $8,461,114 | $13,510,083 |
| Expenses | |||
| Budget Production budget. | 2006 | $4,200,000 | $6,535,417 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 1 | Reg Box Pred: $4,596,446 | Reg Main Pred: $5,947,740 | 2006 | $4,966,000 (est) | $7,929,342 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2006 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2006 | $200,528 (est) | $320,189 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2006 | $504,000 (est) | $804,750 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2006 | $9,870,528 | $15,589,698 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2006 | $-1,409,414 | $-2,079,615 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.