SCREEN PROFITS REPORT
Never Again
2002 · Irvin Kershner · Jack Schwartzman · 1 hr 38 min
Two people who have pledged never to fall in love again then discover each other in a gay bar.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Sean Connery | 2002 | $1,367,060 | $2,446,118 | (est) |
| Klaus Maria Brandauer | 2002 | $720,000 | $1,288,316 | (est) |
| Max von Sydow | 2002 | $620,696 | $1,110,628 | (est) |
| Barbara Carrera | 2002 | $250,000 | $447,332 | (est) |
| Kim Basinger | 2002 | $1,216,865 | $2,177,370 | (est) |
| Bernie Casey | 2002 | $256,696 | $459,313 | (est) |
| Alec McCowen | 2002 | $259,121 | $463,652 | (est) |
| Edward Fox | 2002 | $310,013 | $554,715 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2002 | $307,631 | $550,453 |
| International International theatrical box office gross. | 2002 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 2002 | $307,631 | $536,430 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2002 | $153,816 (est) | $275,226 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2002 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2002 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2002 | $48,193 | $86,233 |
| Physical Purchases Physical Purchases: VHS $16,466, DVD $36,649 | 2002 | $53,115 | $95,039 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2002 | $68,047 (est) | $121,758 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2002 | $323,170 | $578,257 |
| Expenses | |||
| Budget Production budget. | 2002 | $36,000,000 | $62,774,875 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $680,109 | Reg Main Pred: $819,717 | 2002 | $246,000 (est) | $440,175 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $7,530 (est) | $13,473 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2002 | $4,320,000 (est) | $7,729,894 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2002 | $40,573,530 | $70,958,417 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2002 | $-40,250,360 | $-70,380,160 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.