SCREEN PROFITS REPORT
My Entire High School Sinking Into the Sea
2017 · Dash Shaw · Kyle Martin | Craig Zobel | Dash Shaw · 1 hr 15 min
An earthquake causes a high school to float into the sea, where it slowly sinks like a shipwreck.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Jason Schwartzman | 2017 | $37,500 | $49,250 | (est) |
| Reggie Watts | 2017 | $5,630 | $7,394 | (est) |
| Maya Rudolph | 2017 | $17,500 | $22,983 | (est) |
| Lena Dunham | 2017 | $12,500 | $16,417 | (est) |
| Susan Sarandon | 2017 | $8,750 | $11,492 | (est) |
| Thomas Jay Ryan | 2017 | $5,000 | $6,567 | (est) |
| Alex Karpovsky | 2017 | $3,774 | $4,957 | (est) |
| John Cameron Mitchell | 2017 | $5,000 | $6,567 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2017 | $68,883 | $90,467 |
| International International theatrical box office gross. | 2017 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 2017 | $68,883 | $88,162 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2017 | $34,442 (est) | $45,233 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2017 | $7,282 | $9,564 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2017 | $6,946 | $9,123 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2017 | $2,122 | $2,787 |
| Physical Purchases Physical Purchases: DVD $3,088, BluRay $1,722 | 2017 | $4,810 | $6,317 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2017 | $12,493 (est) | $16,408 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2017 | $68,095 | $89,432 |
| Expenses | |||
| Budget Production budget. | 2017 | $250,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $244,753 | Reg Main Pred: $1,031,284 | 2017 | $80,000 (est) | $105,067 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $1,021 (est) | $1,341 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $30,000 (est) | $39,400 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2017 | $361,021 | $474,144 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2017 | $-292,926 | $-384,712 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.