SCREEN PROFITS REPORT
Husbands and Wives
1992 · Woody Allen · Robert Greenhut · 1 hr 48 min
When their best friends announce that they're separating, a professor and his wife discover the faults in their own marriage.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Woody Allen | 1992 | $600,000 | $1,376,622 | (est) |
| Blythe Danner | 1992 | $400,000 | $917,748 | (est) |
| Judy Davis | 1992 | $388,236 | $890,757 | (est) |
| Mia Farrow | 1992 | $427,438 | $980,701 | (est) |
| Juliette Lewis | 1992 | $374,141 | $858,418 | (est) |
| Liam Neeson | 1992 | $400,000 | $917,748 | (est) |
| Sydney Pollack | 1992 | $400,000 | $917,748 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1992 | $10,555,619 | $24,218,487 |
| International International theatrical box office gross. | 1992 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1992 | $10,555,619 | $23,601,552 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1992 | $5,277,810 (est) | $12,109,244 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1992 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1992 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1992 | $1,864,217 | $4,277,202 |
| Physical Purchases Physical Purchases: VHS $858,511 | 1992 | $858,511 | $1,969,742 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1992 | $2,637,955 (est) | $6,052,443 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1992 | $10,638,493 | $24,408,631 |
| Expenses | |||
| Budget Production budget. | 1992 | $20,000,000 | $44,718,460 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $4,155,382 | Reg Main Pred: $5,245,819 | 1992 | $4,456,000 (est) | $10,223,709 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1992 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1992 | $252,132 (est) | $578,485 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1992 | $2,400,000 (est) | $5,506,486 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1992 | $27,108,132 | $61,027,140 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1992 | $-16,469,639 | $-36,618,509 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.