SCREEN PROFITS REPORT
Hostiles
2017 · Scott Cooper · Scott Cooper | Ken Kao | John Lesher · 2 hr 14 min
In 1892, a legendary Army Captain reluctantly agrees to escort a Cheyenne chief and his family through dangerous territory.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Christian Bale | 2017 | $3,097,268 | $4,067,771 | (est) |
| Rosamund Pike | 2017 | $750,000 | $985,006 | (est) |
| Wes Studi | 2017 | $400,000 | $525,337 | (est) |
| Jesse Plemons | 2017 | $416,211 | $546,627 | (est) |
| Adam Beach | 2017 | $683,566 | $897,756 | (est) |
| Rory Cochrane | 2017 | $137,285 | $180,302 | (est) |
| Ben Foster | 2017 | $801,948 | $1,053,232 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2017 | $29,819,114 | $39,162,680 |
| International International theatrical box office gross. | 2017 | $5,849,903 | $7,682,920 |
| Worldwide Combined worldwide theatrical box office gross. | 2017 | $35,669,017 | $45,652,267 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2017 | $17,249,518 (est) | $22,654,508 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2017 | $3,049,782 | $4,005,406 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2017 | $2,917,045 | $3,831,077 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2017 | $870,478 | $1,143,235 |
| Physical Purchases Physical Purchases: DVD $1,266,720, BluRay $706,364 | 2017 | $1,973,085 | $2,591,334 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2017 | $5,380,302 (est) | $7,066,174 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2017 | $31,440,211 | $41,291,733 |
| Expenses | |||
| Budget Production budget. | 2017 | $50,000,000 | $63,994,288 |
| Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: Hostiles (2017) - Bomb ReportURL: https://bombreport.com/yearly-breakdowns/2017-2/hostiles/Entertainment Studios invested about $25M into P&A | 2017 | $25,000,000 | $32,833,537 |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $471,603 (est) | $619,376 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2017 | $6,000,000 (est) | $7,880,049 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2017 | $81,471,603 | $105,327,250 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2017 | $-50,031,392 | $-64,035,517 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.