SCREEN PROFITS REPORT
Home Alone 3
1997 · Raja Gosnell · John Hughes | Hilton Green · 1 hr 42 min
Alex Pruitt, an 8-year-old boy living in Chicago, must fend off four international criminals who are seeking a top-secret microchip in his toy car.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Alex D. Linz | 1997 | $1,834,603 | $3,679,493 | (est) |
| Haviland Morris | 1997 | $1,330,928 | $2,669,319 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1997 | $30,882,515 | $61,938,203 |
| International International theatrical box office gross. | 1997 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1997 | $30,882,515 | $60,360,405 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1997 | $15,441,258 (est) | $30,969,101 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1997 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1997 | $4,885,139 | $9,797,670 |
| Physical Purchases Physical Purchases: VHS $3,166,823, DVD $31,988 | 1997 | $3,198,811 | $6,415,559 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1997 | $7,182,829 (est) | $14,405,936 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1997 | $30,708,036 | $61,588,267 |
| Expenses | |||
| Budget Production budget. | 1997 | $32,000,000 | $62,544,548 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 1 | Reg Box Pred: $8,904,942 | Reg Main Pred: $11,554,919 | 1997 | $9,629,000 (est) | $19,311,994 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $703,214 (est) | $1,410,371 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1997 | $3,840,000 (est) | $7,701,533 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1997 | $46,172,214 | $90,968,447 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1997 | $-15,464,178 | $-29,380,180 |
Similar Movies
Similar Movies
Related titles based on shared genres and franchise overlap.
Home Alone 2: Lost in New York
Year1992
Overall89.6
Est. Profit$100M
Home Alone
Year1990
Overall94.3
Est. Profit$205M
Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.