Synopsis
In 2016, the Noordbrabants Museum in the Dutch city of Den Bosch held a special exhibition devoted to the work of Hieronymus Bosch, who died 500 years ago. This late-medieval artist lived his entire life in the city, causing uproar with his fantastical and utterly unique paintings in which hell and the devil always played a prominent role. In preparation for the exhibition, a team of Dutch art historians crisscrosses the globe to unravel the secrets of his art. They use special infrared cameras to examine the sketches beneath the paint, in the hope of discovering more about the artist's intentions. They also attempt to establish which of the paintings can be attributed with certainty to Bosch himself, and which to his pupils or followers. The experts shuttle between Den Bosch, Madrid and Venice, cutting their way through the art world's tangle of red tape, in a battle against the obstacle of countless egos and conflicting interests. Not every museum is prepared to allow access to their precious art works.
Scores
Popularity Percentile (Year)
9.5%
Box Office Percentile (Year)
39.2%
Critic Consensus
61.9% Fresh • 21 critic reviews
Critic reception is mixed, with 62% of 21 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize thought-provoking, visually striking, character-driven. Common reservations focus on uneven tone, even when reviewers praise standout elements.
thought-provokingvisually strikingcharacter-drivenemotionalrealisticuneven tone
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score62.0
RT critic review count21
Rotten Tomatoes audience score40.0
RT audience rating count100
IMDb rating6.6
IMDb votes332
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2016 | $172,533 | $225,515 |
| International | 2016 | $29,374 | $38,394 |
| Worldwide | 2016 | $201,907 | $263,909 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2016 | $98,016 | $128,115 |
| Digital Rentals ? | 2016 | $1,592,000 | $2,080,877 |
| Digital Purchases ? | 2016 | $1,623,000 | $2,121,396 |
| Physical Rentals ? | 2016 | $1,398,000 | $1,827,303 |
| Physical Purchases ? | 2016 | $3,945,000 | $5,156,444 |
| TV & Streaming Revenue | 2016 | $86,266 | $112,758 |
| Total Revenues | 2016 | $8,742,283 | $11,426,892 |
| Expenses |
| Budget ? | 2016 | $250,000 (est) | $326,771 (est) |
| Print & Advertising (P&A) ? | 2016 | $150,000 (est) | $196,063 (est) |
| Participations | 2016 | $350,000 | $457,479 |
| Residuals ? | 2016 | $490,000 | $640,471 |
| Interest & Overhead | 2016 | $50,000 | $65,354 |
| Total Expenses | 2016 | $1,290,000 | $1,686,138 |
| Movie Net Profit or Loss | 2016 | $7,452,283 | $9,740,755 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 1 | 87.4 | $149,890,765 |
 | Free Solo | 2018 | Shared genres: 1 | 87.1 | $25,984,082 |
 | Bowling for Columbine | 2002 | Shared genres: 1 | 86.1 | $62,944,215 |
 | Taylor Swift: The Eras Tour | 2023 | Shared genres: 1 | 85.8 | $87,607,891 |
 | Jackass Forever | 2022 | Shared genres: 1 | 85.1 | $46,545,808 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $2,630,000, BluRay $1,314,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=268209;reg_main_pred=639383
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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