SCREEN PROFITS REPORT
Flirt
1996 · Hal Hartley · Ted Hope · 1 hr 25 min
Three short films about lovers' ultimatums are set in New York, Berlin and Tokyo.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Bill Sage | 1996 | $43,500 | $89,246 | (est) |
| Dwight Ewell | 1996 | $5,800 | $11,899 | (est) |
| Miho Nikaido | 1996 | $3,625 | $7,437 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1996 | $263,192 | $539,971 |
| International International theatrical box office gross. | 1996 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1996 | $263,192 | $526,216 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1996 | $131,596 (est) | $269,986 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1996 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1996 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1996 | $47,913 | $98,300 |
| Physical Purchases Physical Purchases: VHS $29,012 | 1996 | $29,012 | $59,522 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1996 | $63,593 (est) | $130,468 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1996 | $272,114 | $558,276 |
| Expenses | |||
| Budget Production budget. | 1996 | $290,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $360,499 | Reg Main Pred: $1,010,404 | 1996 | $211,000 (est) | $432,893 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $6,367 (est) | $13,064 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $34,800 (est) | $71,397 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1996 | $542,167 | $1,112,324 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1996 | $-270,053 | $-554,049 |
Similar Movies
Similar Movies
Related titles based on shared genres and franchise overlap.
Jerry Maguire
Year1996
Overall94.3
Est. Profit$82M
The English Patient
Year1996
Overall90.0
Est. Profit-$42M
The Hunchback of Notre Dame
Year1996
Overall89.1
Est. Profit-$150M
Phenomenon
Year1996
Overall83.8
Est. Profit$52M
Notting Hill
Year1999
Overall93.8
Est. Profit$287M
Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.