Eisenstein in Guanajuato

2016 | Biography, Comedy, Drama, Romance, Romantic Comedy

Synopsis

The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such heights. On the back of his revolutionary film Battleship Potemkin, he was celebrated around the world, and invited to the US. Ultimately rejected by Hollywood and maliciously maligned by conservative Americans, Eisenstein traveled to Mexico in 1931 to consider a film privately funded by American pro-Communist sympathizers, headed by the American writer Upton Sinclair. Eisenstein's sensual Mexican experience appears to have been pivotal in his life and film career - a significant hinge between the early successes of Strike, Battleship Potemkin, and October, which made him a world-renowned figure, and his hesitant later career with Alexander Nevsky, Ivan the Terrible and The Boyar's Plot.

Scores

Overall Score
38.0
Popularity Percentile (Year)
35.9%
Box Office Percentile (Year)
28.9%
Review Aggregate
58.8

Critic Consensus

61.5% Fresh • 52 critic reviews

Critic reception is mixed, with 62% of 52 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize visually striking, stylized, thin plot. Common reservations focus on thin plot, even when reviewers praise standout elements.

visually strikingstylizedthin plotemotionalhistoricalfunnysuspensefulmacabredarkthought-provoking

Cast

CastYearReported SalaryInflation AdjustedNotes
Elmer Bäck2016$448,000$586,000(est)

Aggregated Reviews

Rotten Tomatoes critic score62.0
RT critic review count53
Rotten Tomatoes audience score52.0
RT audience rating count250
IMDb rating6.3
IMDb votes3,223

Box Office ?

CategoryYearReportedInflation Adjusted
Domestic2016$34,282$44,809
International2016$37,288$48,739
Worldwide2016$71,570$93,548

Earnings / Profitability

Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
CategoryYearReportedInflation Adjusted
Revenues
Theatrical Net Revenue2016$32,056$41,900
Digital Rentals ?2016$929,000$1,214,280
Digital Purchases ?2016$947,000$1,237,808
Physical Rentals ?2016$815,000$1,065,273
Physical Purchases ?2016$2,301,000$3,007,599
TV & Streaming Revenue2016$840,000$1,097,950
Total Revenues2016$5,864,056$7,664,810
Expenses
Budget ?2016$2,800,000$3,659,833
Print & Advertising (P&A) ?2016$80,000 (est)$104,567 (est)
Participations2016$235,000$307,165
Residuals ?2016$320,000$418,267
Interest & Overhead2016$560,000$731,967
Total Expenses2016$3,995,000$5,221,798
Movie Net Profit or Loss2016$1,869,056$2,443,012

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