ScreenProfits

SCREEN PROFITS REPORT

Coyote County Loser

2009 · 1 hr 32 min

In the lonely American Southwest, life is slow for the desert inhabitants of Coyote County. Although it reflects the diversity and pride of the Coyote County residents, local talk radio station K-RAP struggles financially, withering like a tumbleweed on its way to oblivion. Meanwhile, a rising radio personality from Los Angeles reluctantly drives through the hot desert toward Coyote County. His name is Jack Proctor. Upon visiting K-RAP, Jack meets the motley crew that works to keep the place running. These odd but charming individuals are a snapshot representation of the population living in this desert region. Jack meets Mr. Sanchez, the "maintenance engineer" and host of a "fix it" show; Raymond, the former-military accountant and host of an alien and paranormal phenomena talk show; Doyle, the sound engineer and host of a technology "geek" show; Mrs. Hopps, host of a cooking show and owner of a local café where everyone loves to eat and hang out; and Lauren, the assistant station manager, who until now has been the star of K-RAP with her "Heart Smart" show receiving the highest ratings. She is the most respected member of the crew, constantly aiding other hosts in improving their content. Lauren is less than thrilled about the big-city hotshot coming to try and fix their problems. She feels threatened and does little to hide her dislike for Jack. The ratings begin to show that their on-air skirmishing - taking shots at one another on their respective "relationship advice" talk shows - is drawing interest to the radio station. During one of their off-air battles, Lauren questions Jack's ability to counsel people regarding love and romance. Jack accepts the challenge and goes a step further to prove his point, claiming that he can help the biggest loser in the county to find real love. He initiates an on-air publicity stunt, asking for applicants from all over Coyote County who think they are the biggest loser and least likely to find love. Too prove that he, not Lauren, understands what true love is, Jack will help the loser woo any woman in Coyote County. Applications pour in to K-RAP from men trying to prove that they are the biggest loser and in need of Jack's love advice to find a mate. A loser is chosen who stands out above the rest as the least likely to attract and charm a woman - Lyle Grincher. Jack then begins counseling the Loser on air and ratings increase further. The radio station is now back in the black with the highest number of listeners ever. However tension also increases between Jack and Lauren. Plot thickens, stakes rise and metaphors get mixed when the audience discovers that Jack's advice is working too well, and the woman that the Loser has chosen to woo is none other than Lauren. Before this romantic battle-of-the-sexes is over, Jack and Lauren will learn what being a winner and loser really means, and more importantly, realize that true love is selfless love.

Cast Salaries

Cast Salaries

No cast records have been imported yet.

Box Office

Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.

Inflation-adjusted values are shown in 2025 dollars when CPI data is available.

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Category Year Reported Inflation Adjusted
Domestic Domestic theatrical box office gross. 2009 $24,375 $36,580
International International theatrical box office gross. 2009 $0 $0
Worldwide Combined worldwide theatrical box office gross. 2009 $24,375 $35,648
Earnings / Profitability

Earnings / Profitability

Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.

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Category Year Reported Inflation Adjusted
Revenues
Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. 2009 $12,188 (est) $18,290 (est)
Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. 2009 $1,051 $1,578
Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. 2009 $486 $729
Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. 2009 $3,608 $5,415
Physical Purchases Physical Purchases: DVD $4,774, BluRay $777 2009 $5,552 $8,331
TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. 2009 $5,144 (est) $7,720 (est)
Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. 2009 $28,029 $42,063
Expenses
Budget Production budget. 2009 $250,000 N/A
Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $114,676 | Reg Main Pred: $532,359 2009 $80,000 (est) $120,056 (est)
Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2009 $0 (est) $0 (est)
Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2009 $566 (est) $850 (est)
Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2009 $30,000 (est) $45,021 (est)
Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. 2009 $360,566 $541,101
Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. 2009 $-332,538 $-499,039
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