SCREEN PROFITS REPORT
1989 · Bob Radler · Phillip Rhee | Peter E. Strauss · 1 hr 37 min
A team from the United States is going to compete against Korea in a Tae Kwon Do tournament. The team consists of fighters from all over the country - can they overcome their rivalry and work together to win?
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Eric Roberts | 1989 | $150,000 | $389,395 | (est) |
| James Earl Jones | 1989 | $500,000 | $1,297,984 | (est) |
| Sally Kirkland | 1989 | $350,000 | $908,589 | (est) |
| Phillip Rhee | 1989 | $182,225 | $473,050 | (est) |
| John P. Ryan | 1989 | $175,000 | $454,294 | (est) |
| John Dye | 1989 | $100,000 | $259,597 | (est) |
| David Agresta | 1989 | $49,279 | $127,927 | (est) |
| Tom Everett | 1989 | $44,882 | $116,512 | (est) |
| Louise Fletcher | 1989 | $95,469 | $247,834 | (est) |
| Simon Rhee | 1989 | $38,391 | $99,662 | (est) |
| Christopher Penn | 1989 | $100,000 | $259,597 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1989 | $1,700,000 | $4,413,145 |
| International International theatrical box office gross. | 1989 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1989 | $1,700,000 | $4,300,726 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1989 | $841,500 (est) | $2,184,507 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1989 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1989 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1989 | $262,480 | $681,390 |
| Physical Purchases Physical Purchases: VHS $104,516 | 1989 | $104,516 | $271,320 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1989 | $447,508 (est) | $1,161,716 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1989 | $1,656,004 | $4,298,933 |
| Expenses | |||
| Budget Production budget. | 1989 | $5,000,000 | $12,649,194 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $1,199,598 | Reg Main Pred: $2,140,495 | 1989 | $1,360,000 (est) | $3,530,516 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1989 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1989 | $36,929 (est) | $95,866 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1989 | $595,000 (est) | $1,544,601 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1989 | $6,991,929 | $17,820,177 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1989 | $-5,335,925 | $-13,521,244 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
