SCREEN PROFITS REPORT
Addicted
2014 · Bille Woodruff · Paul Hall · 1 hr 46 min
A gallerist risks her family and flourishing career when she enters into an affair with a talented painter and slowly loses control of her life.
SCREEN PROFITS REPORT
2014 · Bille Woodruff · Paul Hall · 1 hr 46 min
A gallerist risks her family and flourishing career when she enters into an affair with a talented painter and slowly loses control of her life.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Sharon Leal | 2014 | $401,576 | $546,123 | (est) |
| Boris Kodjoe | 2014 | $318,437 | $433,058 | (est) |
| Tasha Smith | 2014 | $324,061 | $440,707 | (est) |
| Tyson Beckford | 2014 | $40,000 | $54,398 | (est) |
| Emayatzy Corinealdi | 2014 | $32,896 | $44,737 | (est) |
| William Levy | 2014 | $100,000 | $135,995 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2014 | $17,390,770 | $23,650,566 |
| International International theatrical box office gross. | 2014 | $143,544 | $195,213 |
| Worldwide Combined worldwide theatrical box office gross. | 2014 | $17,534,314 | $23,238,337 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2014 | $8,752,803 (est) | $11,903,368 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2014 | $1,387,467 | $1,886,885 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2014 | $1,080,946 | $1,470,032 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2014 | $807,763 | $1,098,517 |
| Physical Purchases Physical Purchases: DVD $1,071,723, BluRay $450,611 | 2014 | $1,522,333 | $2,070,296 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2014 | $3,188,870 (est) | $4,336,702 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2014 | $16,740,182 | $22,765,799 |
| Expenses | |||
| Budget Production budget. | 2014 | $5,000,000 | $6,626,531 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 5 | Peer Median: $20,000,000 | Reg Box Pred: $9,957,144 | Reg Main Pred: $10,844,494 | 2014 | $6,250,000 (est) | $8,499,683 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2014 | $535,415 (est) | $728,137 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2014 | $274,539 (est) | $373,359 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2014 | $600,000 (est) | $815,970 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2014 | $12,659,954 | $17,043,680 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2014 | $4,080,229 | $5,722,119 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.