Oscilloscope
Dynamic entity page generated from imported ScreenProfits movie metadata.
Distributor
Studio
Movies136
Years2008-2025
Avg Score38.0
Worldwide Gross$71,270,867
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
We Need to Talk About Kevin | 2011 | 77.7 | 87.2% | 66.7% | $9M | -$6M | -$9M |
|
Kedi | 2017 | 70.7 | 67.8% | 64.6% | $5M | $1M | $2M |
|
Embrace of the Serpent | 2016 | 69.8 | 70.6% | 58.7% | $3M | -$69K | -$45K |
|
Samsara | 2012 | 69.8 | 68.7% | 64.7% | $4M | -$3M | -$4M |
|
Coherence | 2014 | 69.6 | 88.5% | 38.1% | $140K | -$53K | -$71K |
|
Summer 1993 | 2018 | 66.6 | 63.1% | 59.7% | $2M | -$18K | -$23K |
|
The Second Mother | 2015 | 65.9 | 61.2% | 58.3% | $3M | -$5M | -$7M |
|
Wrestle | 2019 | 63.6 | 89.8% | 15.2% | $27K | -$88M | -$111M |
|
Rare Exports: A Christmas Tale | 2010 | 63.5 | 61.8% | 58.3% | $4M | -$2M | -$3M |
|
Joyland | 2023 | 61.0 | 58.3% | 50.9% | $1M | -$948K | -$1M |
|
The Love Witch | 2016 | 60.0 | 68.5% | 40.6% | $259K | -$292K | -$392K |
|
The Velvet Queen | 2021 | 59.8 | 37.1% | 72.0% | $6M | $1M | $2M |
|
Wendy and Lucy | 2008 | 58.6 | 59.1% | 48.4% | $1M | $328K | $503K |
|
The Wonders | 2015 | 57.1 | 46.8% | 58.0% | $3M | $297K | $403K |
|
Lost in Paris | 2017 | 55.6 | 46.5% | 56.9% | $2M | -$409K | -$537K |
|
Meek's Cutoff | 2011 | 55.3 | 53.2% | 50.1% | $1M | -$2M | -$3M |
|
Reality | 2013 | 55.3 | 42.6% | 64.9% | $3M | $327K | $452K |
|
Teenage | 2014 | 54.9 | 83.3% | 26.0% | $40K | -$319K | -$199M |
|
Howl | 2010 | 53.8 | 52.2% | 51.1% | $1M | -$1M | -$2M |
|
Terribly Happy | 2010 | 53.7 | 41.9% | 55.5% | $3M | $275K | $406K |
|
Sometimes I Think About Dying | 2024 | 53.4 | 58.9% | 35.2% | $327K | -$464K | -$476K |
|
Dear Zachary: A Letter to a Son About His Father | 2008 | 51.6 | 63.4% | 13.0% | $18K | -$338K | -$505K |
|
It's a Disaster | 2013 | 50.6 | 58.1% | 30.7% | $61K | -$300K | -$414K |
|
Saint Frances | 2020 | 50.0 | 52.7% | 27.6% | $59K | -$302K | -$375K |
|
The Fits | 2016 | 48.7 | 45.7% | 38.2% | $169K | -$162K | -$212K |
|
Gods of Mexico | 2023 | 48.6 | 80.8% | 3.9% | $7K | -$351K | -$77M |
|
Only the Young | 2012 | 48.6 | 69.8% | 14.5% | $15K | -$12M | -$17M |
|
Hello I Must Be Going | 2012 | 48.4 | 44.5% | 44.2% | $355K | -$335K | -$469K |
|
Love Life | 2023 | 48.0 | 34.8% | 44.4% | $694K | $144K | $152K |
|
Madeline's Madeline | 2018 | 48.0 | 48.5% | 36.8% | $197K | -$255K | -$327K |
|
CatVideoFest 2022 | 2022 | 47.8 | 41.5% | 38.7% | $217K | -$19M | -$20M |
|
Polina | 2017 | 47.8 | 34.7% | 50.1% | $1M | -$558K | -$733K |
|
Shut Up and Play the Hits | 2012 | 47.7 | 31.8% | 47.7% | $629K | $31K | $43K |
|
November | 2018 | 46.5 | 57.2% | 11.6% | $19K | -$339K | -$435K |
|
Universal Language | 2025 | 46.2 | 41.1% | 32.3% | $305K | -$4M | -$4M |
|
Ma ma | 2016 | 46.0 | 42.9% | 52.7% | $1M | -$494K | -$663K |
|
Beauty and the Dogs | 2018 | 45.9 | 41.3% | 34.7% | $168K | -$338K | -$433K |
|
Bellflower | 2011 | 45.7 | 46.8% | 32.1% | $173K | -$253K | -$362K |
|
May it Last: A Portrait of the Avett Brothers | 2017 | 45.6 | 23.5% | 48.3% | $725K | -$22K | -$29K |
|
L'attesa | 2016 | 44.9 | 32.4% | 49.6% | $1M | -$2M | -$2M |
|
A Film Unfinished | 2010 | 44.6 | 28.1% | 41.3% | $320K | -$238K | -$351K |
|
Art and Craft | 2014 | 44.3 | 30.5% | 41.8% | $235K | -$230K | -$313K |
|
The Vourdalak | 2024 | 43.8 | 43.3% | 23.4% | $79K | -$304K | -$312K |
|
The Universal Theory | 2024 | 42.8 | 33.7% | 40.8% | $562K | -$323K | -$331K |
|
Wildcat | 2024 | 42.7 | 35.4% | 40.9% | $564K | -$185K | -$190K |
|
Felix and Meira | 2015 | 42.2 | 28.9% | 43.6% | $497K | -$296K | -$402K |
|
Frontrunners | 2008 | 41.8 | 43.6% | 15.9% | $27K | -$329K | -$437M |
|
Stand Clear of the Closing Doors | 2014 | 41.3 | 40.6% | 17.0% | $17K | -$341K | -$463K |
|
Burma VJ: Reporting from a Closed Country | 2009 | 39.8 | 24.8% | 30.4% | $127K | -$298K | -$447K |
|
12 O'Clock Boys | 2014 | 39.8 | 28.1% | 34.1% | $83K | -$268K | -$364K |