Graham Broadbent
Dynamic entity page generated from imported ScreenProfits movie metadata.
Producer
Movies20
Years1997-2024
Avg Score65.7
Worldwide Gross$624,069,471
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Three Billboards Outside Ebbing, Missouri | 2017 | 93.7 | 98.1% | 92.0% | $160M | $58M | $77M |
|
The Banshees of Inisherin | 2022 | 90.5 | 96.4% | 86.7% | $50M | $6M | $7M |
|
In Bruges | 2008 | 87.9 | 96.8% | 79.0% | $33M | $20M | $31M |
|
Emma. | 2020 | 87.5 | 91.4% | 89.0% | $26M | $34M | $43M |
|
Seven Psychopaths | 2012 | 85.0 | 93.6% | 79.6% | $29M | $13M | $18M |
|
Wicked Little Letters | 2024 | 82.8 | 82.2% | 84.2% | $27M | -$2M | -$1M |
|
All of Us Strangers | 2023 | 82.5 | 83.7% | 77.0% | $20M | -$5M | -$5M |
|
The Best Exotic Marigold Hotel | 2012 | 81.7 | 81.0% | 91.8% | $137M | $65M | $91M |
|
The Second Best Exotic Marigold Hotel | 2015 | 77.5 | 74.7% | 89.0% | $86M | $38M | $51M |
|
Becoming Jane | 2007 | 76.3 | 76.2% | 82.0% | $37M | $27M | $43M |
|
Millions | 2005 | 68.1 | 62.8% | 68.6% | $12M | $31M | $51M |
|
The Riot Club | 2015 | 63.3 | 68.6% | 60.5% | $4M | -$1M | -$1M |
|
The Mercy | 2018 | 55.0 | 64.7% | 41.8% | $306K | -$27M | -$34M |
|
Wind Chill | 2007 | 48.1 | 57.7% | 38.8% | $285K | $9M | $15M |
|
Jane and Emma | 2018 | 44.9 | 31.8% | 44.4% | $380K | -$3M | -$3M |
|
Still, the Children Are Here | 2004 | 44.2 | 61.4% | 3.8% | $4K | $873K | $1M |
|
Stolen Childhoods | 2005 | 41.9 | 55.1% | 2.9% | $3K | $425K | $701K |
|
Welcome to Sarajevo | 1997 | 41.3 | 40.4% | 23.9% | $334K | $3M | $6M |
|
Very Annie Mary | 2002 | 34.5 | 22.2% | 37.2% | $396K | $5M | $8M |
|
Dancing at the Blue Iguana | 2001 | 26.5 | 30.2% | 15.2% | $122K | $5M | $9M |