Net Worth, Earnings & Box Office
Estimated net worth (mid)$184,953,120
Estimated net worth range$154,844,472 - $215,061,767
Estimated career tierA-List
Savings rate range18% - 25%
Total box office (Worldwide)$8,324,389,090
Total box office (Worldwide, inflation-adjusted)$12,327,410,116
Total box office (North America)$3,524,138,196
Total box office (North America, inflation-adjusted)$5,600,709,660
Career earnings (known salaries)$239,664,609
Career earnings (inflation-adjusted)$339,451,135
Films with salary data74
Filmography
| Poster | Movie | Year | Overall Score | Worldwide Box Office | Worldwide (Inflation-Adjusted) | Cast Salary |
|---|---|---|---|---|---|---|
 | You Are Not Me | 2024 | 52.9 | $8,018 | $8,018 | $1,113,000 (est) |
 | Medieval | 2022 | 64.3 | $4,420,183 | $4,737,312 | $35,119,000 (est) |
 | See for Me | 2022 | 69.0 | $725,952 | $778,036 | $1,113,000 (est) |
 | Dark State | 2021 | 59.8 | $5,824 | $6,742 | $18,172,000 (est) |
 | Come Away | 2020 | 56.6 | $1,692,494 | $2,051,528 | $6,000 (est) |
 | Tenet | 2020 | 94.2 | $365,304,100 | $442,797,120 | $7,582,000 (est) |
 | King of Thieves | 2019 | 66.1 | $11,517,629 | $14,130,153 | $122,000 (est) |
 | King of Hearts | 2018 | 23.6 | $18,130 | $22,650 | $0 (est) |
 | Sherlock Gnomes | 2018 | 70.6 | $90,497,776 | $113,059,150 | $1,059,000 (est) |
 | The King | 2018 | 30.1 | $273,601 | $341,811 | $3,000 (est) |
 | Going in Style | 2017 | 81.2 | $85,218,544 | $109,070,000 | $926,000 (est) |
 | The Dark Below | 2017 | 60.3 | $7,095 | $9,081 | $18,172,000 (est) |
 | Now You See Me 2 | 2016 | 87.2 | $334,897,600 | $437,739,070 | $1,947,000 (est) |
 | Kingsman: The Secret Service | 2015 | 94.4 | $414,351,550 | $548,447,600 | $2,265,000 (est) |
 | The Last Witch Hunter | 2015 | 79.8 | $146,936,910 | $194,489,900 | $2,517,000 (est) |
 | Youth | 2015 | 78.2 | $23,469,540 | $31,064,956 | $1,035,000 (est) |
 | Documented | 2014 | 60.5 | $30,662 | $40,637 | $4,604,000 (est) |
 | Faith Connections | 2014 | 56.5 | $9,111 | $12,075 | $4,604,000 (est) |
 | Interstellar | 2014 | 95.8 | $681,070,400 | $902,626,900 | $4,604,000 (est) |
 | Now You See Me | 2013 | 90.7 | $351,724,000 | $473,544,260 | $1,113,000 (est) |
 | In Darkness | 2012 | 82.9 | $9,661,759 | $13,200,757 | $18,172,000 (est) |
 | Journey 2: The Mysterious Island | 2012 | 83.3 | $335,260,300 | $458,062,530 | $3,805,000 (est) |
 | The City Dark | 2012 | 60.2 | $9,269 | $12,664 | $18,172,000 (est) |
 | The Dark Knight Rises | 2012 | 97.3 | $1,084,939,100 | $1,482,340,600 | $15,144,000 (est) |
 | And They're Off | 2011 | 29.0 | $5,154 | $7,189 | $392,000 (est) |
 | Cars 2 | 2011 | 86.4 | $559,852,400 | $780,905,700 | $10,577,000 (est) |
 | Gnomeo & Juliet | 2011 | 82.3 | $193,967,660 | $270,554,270 | $694,000 (est) |
 | Harry Brown | 2010 | 70.7 | $10,371,451 | $14,917,580 | $294,000 (est) |
 | Inception | 2010 | 97.5 | $828,258,700 | $1,191,310,200 | $2,734,000 (est) |
 | Is Anybody There? | 2009 | 49.2 | $3,368,300 | $4,926,040 | $48,000 (est) |
 | Flawless | 2008 | 60.9 | $6,819,587 | $9,936,388 | $1,002,000 (est) |
 | The Dark Knight | 2008 | 98.6 | $1,003,845,400 | $1,462,639,500 | $10,280,000 (est) |
 | Dark Blue Almost Black | 2007 | 73.9 | $2,171,323 | $3,285,789 | $10,280,000 (est) |
 | Sleuth | 2007 | 58.3 | $4,889,751 | $7,399,493 | $107,000 (est) |
 | Children of Men | 2006 | 92.0 | $70,455,770 | $109,632,816 | $3,039,000 (est) |
 | The Prestige | 2006 | 93.7 | $109,676,310 | $170,662,000 | $1,095,000 (est) |
 | Batman Begins | 2005 | 96.9 | $373,443,780 | $599,842,900 | $6,976,000 (est) |
 | Bewitched | 2005 | 74.9 | $131,426,170 | $211,102,860 | $1,859,000 (est) |
 | The Weather Man | 2005 | 73.7 | $19,126,398 | $30,721,716 | $974,000 (est) |
 | Around the Bend | 2004 | 45.6 | $579,350 | $962,107 | $3,000 (est) |
 | Secondhand Lions | 2003 | 78.6 | $48,249,016 | $82,259,330 | $2,157,000 (est) |
 | The Gatekeeper | 2003 | 66.1 | $312,434 | $532,666 | $1,095,000 (est) |
 | The Statement | 2003 | 42.7 | $1,079,822 | $1,840,979 | $1,625,000 (est) |
 | Austin Powers in Goldmember | 2002 | 86.7 | $296,939,140 | $517,786,600 | $992,000 (est) |
 | Last Orders | 2002 | 53.4 | $6,873,892 | $11,986,325 | $79,000 (est) |
 | The Quiet American | 2002 | 69.7 | $27,674,124 | $48,256,656 | $2,886,000 (est) |
 | Get Carter | 2000 | 60.7 | $19,412,992 | $35,365,016 | $1,420,000 (est) |
 | Miss Congeniality | 2000 | 86.8 | $212,742,720 | $387,557,440 | $2,167,000 (est) |
 | Quills | 2000 | 72.0 | $17,989,228 | $32,771,316 | $416,000 (est) |
 | The Cider House Rules | 1999 | 83.1 | $88,545,090 | $166,726,260 | $374,000 (est) |
 | Little Voice | 1998 | 55.3 | $4,611,784 | $8,875,562 | $36,000 (est) |
 | Blood and Wine | 1997 | 41.4 | $1,094,668 | $2,139,547 | $606,000 (est) |
 | On Deadly Ground | 1994 | 65.4 | $38,590,456 | $81,685,744 | $3,005,000 (est) |
 | Noises Off... | 1992 | 49.7 | $2,280,148 | $5,098,236 | $392,000 (est) |
 | The Muppet Christmas Carol | 1992 | 83.7 | $29,204,516 | $65,299,048 | $863,000 (est) |
 | A Shock to the System | 1990 | 39.6 | $3,417,056 | $8,201,458 | $652,000 (est) |
 | Mr. Destiny | 1990 | 55.8 | $15,379,253 | $36,912,560 | $466,000 (est) |
 | Dirty Rotten Scoundrels | 1988 | 87.5 | $42,039,084 | $111,476,424 | $327,000 (est) |
 | Without a Clue | 1988 | 58.8 | $8,539,181 | $22,643,628 | $719,000 (est) |
 | Jaws: The Revenge | 1987 | 66.5 | $20,763,012 | $57,335,892 | $1,000,000 source (Caine: “The Revenge, yeah. I had a little part in that. And I was paid a million dollars for two weeks' work. And with that money, I bought her the house. Someone said to me, 'I saw that Jaws 4. It stinks. ' I said, 'I haven't seen it, but I've seen the house it bought my mother, and it's marvelous [laughs].”) |
 | Surrender | 1987 | 27.5 | $5,711,976 | $15,773,300 | $751,000 (est) |
 | The Fourth Protocol | 1987 | 55.5 | $12,423,831 | $34,307,708 | $403,000 (est) |
 | The Whistle Blower | 1987 | 33.1 | $1,500,000 | $4,142,166 | $14,000 (est) |
 | Hannah and Her Sisters | 1986 | 84.2 | $35,392,204 | $101,300,496 | $159,000 (est) |
 | Mona Lisa | 1986 | 59.8 | $5,794,184 | $16,584,266 | $54,000 (est) |
 | Sweet Liberty | 1986 | 45.9 | $14,205,021 | $40,657,984 | $100,000 (est) |
 | The Holcroft Covenant | 1985 | 20.2 | $393,825 | $1,148,168 | $935,000 (est) |
 | Blame It on Rio | 1984 | 53.4 | $18,644,570 | $56,292,604 | $236,000 (est) |
 | Protocol | 1984 | 54.5 | $26,186,632 | $79,063,970 | $403,000 (est) |
 | Beyond the Limit | 1983 | 22.5 | $5,997,566 | $18,889,924 | $960,000 (est) |
 | Educating Rita | 1983 | 65.4 | $14,648,076 | $46,135,556 | $396,000 (est) |
 | Deathtrap | 1982 | 61.4 | $19,282,134 | $62,681,920 | $962,000 (est) |
 | The Hand | 1981 | 28.7 | $2,447,576 | $8,446,695 | $644,000 (est) |
 | The Island | 1980 | 54.1 | $15,716,828 | $59,834,576 | $650,000 source (Campaigning for the role of an investigative reporter who is captured, beaten and raped by a band of old school pirates, Caine was delighted by his $650,000 pay day but horrified by the perilous production and the ultimate crumminess of the movie.) |
Basic Facts
NameMichael Caine
Date of birthN/A
Films in database74
Tooltips
- Caine: “The Revenge, yeah. I had a little part in that. And I was paid a million dollars for two weeks' work. And with that money, I bought her the house. Someone said to me, 'I saw that Jaws 4. It stinks. ' I said, 'I haven't seen it, but I've seen the house it bought my mother, and it's marvelous [laughs].”
- Campaigning for the role of an investigative reporter who is captured, beaten and raped by a band of old school pirates, Caine was delighted by his $650,000 pay day but horrified by the perilous production and the ultimate crumminess of the movie.
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