We Are the Best!

2014 | Drama, Music, Adaptation, Comic Book Adaptation, Foreign Language

Synopsis

Three girls in 1980s Stockholm decide to form a punk band -- despite not having any instruments and being told by everyone that punk is dead.

Scores

Overall Score
62.4
Popularity Percentile (Year)
56.5%
Box Office Percentile (Year)
58.0%
Review Aggregate
83.5

Critic Consensus

97.0% Fresh • 133 critic reviews

Critic reception is largely positive, with 97% of 133 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize coming of age, funny, lighthearted. Most critics frame the film as an effective delivery of its core style and intent.

coming of agefunnylightheartedcharacter-drivenfamily-friendlyupliftingstylizedrealisticemotionalscary

Cast

CastYearReported SalaryInflation AdjustedNotes
Mira Barkhammar2014$10,000$13,000(est)
Mira Grosin2014$6,000$8,000(est)
Liv LeMoyne2014$5,000$6,000(est)
Johan Liljemark2014$4,000$5,000(est)
Mattias Wiberg2014$3,000$4,000(est)
Jonathan Salomonsson2014$3,000$4,000(est)
Alvin Strollo2014$3,000$3,000(est)
Anna Rydgren2014$2,000$3,000(est)
Peter Erikkson2014$2,000$3,000(est)
Charlie Falk2014$2,000$3,000(est)
Lena Carlsson2014$2,000$2,000(est)
Emrik Ekholm2014$2,000$2,000(est)
Ann-Sofie Rase2014$2,000$2,000(est)
Lily Moodysson2014$2,000$2,000(est)
Nick Kankaanpää2014$2,000$2,000(est)
Edvin Ottoson2014$1,000$2,000(est)
Karl Felix Klaesson2014$1,000$2,000(est)
Victor Norlin Ericsson2014$1,000$2,000(est)
Petter Andersson2014$1,000$2,000(est)
Vanja Engström2014$1,000$2,000(est)
Linnea Thornvall2014$1,000$2,000(est)

Aggregated Reviews

Rotten Tomatoes critic score97.0
RT critic review count133
Rotten Tomatoes audience score77.0
RT audience rating count5,000
IMDb rating7.1
IMDb votes11,647

Box Office ?

CategoryYearReportedInflation Adjusted
Domestic2014$180,590$239,337
International2014$1,423,683$1,886,816
Worldwide2014$1,604,273$2,126,153

Earnings / Profitability

Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
CategoryYearReportedInflation Adjusted
Revenues
Theatrical Net Revenue2014$659,768$874,395
Digital Rentals ?2014$2,110,000$2,796,396
Digital Purchases ?2014$1,671,000$2,214,587
Physical Rentals ?2014$2,405,000$3,187,362
Physical Purchases ?2014$6,484,000$8,593,286
TV & Streaming Revenue2014$90,295$119,669
Total Revenues2014$13,420,063$17,785,694
Expenses
Budget ?2014$1,765,000 (est)$2,339,166 (est)
Print & Advertising (P&A) ?2014$1,283,000 (est)$1,700,368 (est)
Participations2014$537,000$711,689
Residuals ?2014$778,000$1,031,088
Interest & Overhead2014$353,000$467,833
Total Expenses2014$4,716,000$6,250,144
Movie Net Profit or Loss2014$8,704,063$11,535,550

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