SCREEN PROFITS REPORT
2012 · Wei Te-sheng · John Woo | Jimmy Huang | Terence Chang · 2 hr 24 min
An indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resources and enslaving them.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Nolay Piho | 2012 | $1,158,373 | $1,624,043 | (est) |
| Yuki Daki | 2012 | $713,062 | $999,715 | (est) |
| Umin Boya | 2012 | $536,863 | $752,684 | (est) |
| Masanobu Andō | 2012 | $221,102 | $309,986 | (est) |
| Kawahara Sabu | 2012 | $375,465 | $526,403 | (est) |
| Yuichi Kimura | 2012 | $330,478 | $463,331 | (est) |
| Vivian Hsu | 2012 | $102,294 | $143,417 | (est) |
| Landy Wen | 2012 | $270,200 | $378,821 | (est) |
| Irene Luo | 2012 | $248,816 | $348,841 | (est) |
| Chie Tanaka | 2012 | $231,126 | $324,039 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2012 | $136,166 | $190,905 |
| International International theatrical box office gross. | 2012 | $4,534,266 | $6,357,057 |
| Worldwide Combined worldwide theatrical box office gross. | 2012 | $4,670,432 | $6,381,161 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2012 | $1,881,789 (est) | $2,638,275 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2012 | $22,401 | $31,406 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2012 | $13,579 | $19,037 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2012 | $31,889 | $44,708 |
| Physical Purchases Physical Purchases: DVD $40,666, BluRay $14,288 | 2012 | $54,954 | $77,045 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2012 | $34,272 (est) | $48,050 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2012 | $2,038,884 | $2,858,522 |
| Expenses | |||
| Budget Production budget. | 2012 | $23,000,000 | $31,424,652 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $1,951,579 | Reg Main Pred: $2,237,518 | 2012 | $2,033,000 (est) | $2,850,273 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2012 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2012 | $35,884 (est) | $50,310 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2012 | $2,760,000 (est) | $3,869,530 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2012 | $27,828,884 | $38,194,764 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2012 | $-25,790,001 | $-35,336,242 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
