Synopsis
150 digital videos are distributed to everyday Iraqis, who are encouraged to record their feelings about their lives. They are also encouraged to pass the cameras along to get as many Iraqis across the country to participate in this project as possible. The cameras are in circulation from April to September 2004, shortly after the American bombing of Fallujah and the fall of the dictatorial regime of Saddam Hussein; the resulting footage was compiled to become this film. Most of the subjects talk about issues around Hussein versus the Americans, and whether their lives and of Iraqis in general are better off now or then, their thoughts about democracy in general and how it applies to Iraq, and what they want to see for their future. A few also steer clear of politics altogether, wanting to focus on happier things. As the cameras move around the country, regional differences emerge, such as the Kurds of the north, who were persecuted by Hussein, having a unique perspective. Differences also emerge based on individual exposure to Hussein and/or his associates, or to what recently occurred in Fallujah. This digital camera footage is interspersed with other videos, including propaganda video by jihadis, and found unofficial videos recorded by Hussein's regime documenting their actions while in power, and with western media headlines about the Iraqi situation which has largely shaped the western view of life in Iraq.
Scores
Popularity Percentile (Year)
10.6%
Box Office Percentile (Year)
23.6%
Critic Consensus
60.0% Fresh • 15 critic reviews
Critic reception is mixed, with 60% of 15 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize dark, emotional, political. Common reservations focus on execution consistency, even when reviewers praise standout elements.
darkemotionalpoliticalthought-provokingcharacter-drivenvisually striking
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score60.0
RT critic review count15
Rotten Tomatoes audience score84.0
RT audience rating count250
IMDb rating6.8
IMDb votes396
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2004 | $57,999 | $96,317 |
| International | 2004 | N/A | N/A |
| Worldwide | 2004 | $57,999 | $96,317 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2004 | $29,000 | $48,159 |
| Digital Rentals ? | 2004 | $32,000 | $53,141 |
| Digital Purchases ? | 2004 | $1,000 | $1,661 |
| Physical Rentals ? | 2004 | $3,353,000 | $5,568,216 |
| Physical Purchases ? | 2004 | $7,016,000 | $11,651,239 |
| TV & Streaming Revenue | 2004 | $75,000 | $124,550 |
| Total Revenues | 2004 | $10,506,000 | $17,446,966 |
| Expenses |
| Budget ? | 2004 | $250,000 (est) | $415,167 (est) |
| Print & Advertising (P&A) ? source | 2004 | $500,000 | $830,333 |
| Participations | 2004 | $420,000 | $697,480 |
| Residuals ? | 2004 | $763,000 | $1,267,089 |
| Interest & Overhead | 2004 | $50,000 | $83,033 |
| Total Expenses | 2004 | $1,983,000 | $3,293,102 |
| Movie Net Profit or Loss | 2004 | $8,523,000 | $14,153,863 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 3 | 87.4 | $149,890,765 |
 | The Fog of War | 2003 | Shared genres: 3 | 67.5 | $31,751,619 |
 | No End in Sight | 2007 | Shared genres: 3 | 58.1 | $25,492,187 |
 | Dirty Wars | 2013 | Shared genres: 3 | 55.8 | $14,517,867 |
 | Taxi to the Dark Side | 2008 | Shared genres: 3 | 55.4 | $18,090,987 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Our budget came out to around $500,000. With inexpensive cameras and editing stations, the greatest expense was our post-production staff: translators and assistant editors. Second to that, the 35 mm blow-up.
- Physical Purchases: VHS $209,000, DVD $6,807,000, BluRay $0
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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