ScreenProfits

SCREEN PROFITS REPORT

Voices in Wartime

2005 · Terry George · Terry George | A. Kitman Ho · 1 hr 14 min

VOICES IN WARTIME is a feature-length documentary that sharply etches the experience of war through powerful images and the words of poets - unknown and world-famous. Soldiers, journalists, historians and experts on combat interviewed in VOICES IN WARTIME add diverse perspectives on war's effects on soldiers, civilians and society. In VOICES IN WARTIME, poets around the world, from the United States and Colombia, to Britain and Nigeria, to Iraq and India, share their views and experiences of war that extend beyond national borders and into the depth of the human soul. The film also brings to life how poetry and war have been intertwined since the beginning of recorded history - from ancient Babylonia and the fields of Troy - to the great conflicts of the 20th century and the current war in Iraq. The stirring words of poets of the past - Homer, Wilfred Owen, Siegfried Sassoon, Emily Dickinson, Langston Hughes, Walt Whitman and Shoda Shinoe from Hiroshima are combined with more recent voices: a Vietnam vet, poets in Baghdad, a poet whose family experienced the devastating war in Biafra. The poetry moves us to the emotion of war explained to us by soldiers, journalists and a doctor who have experienced the effects of combat first hand. The poetry illuminates the reality. And the documentary reality helps us to understand the poetry. Together they sear the experience, emotions and sacrifices of war into our hearts and minds. VOICES IN WARTIME gives the gut-wrenching experience of war a fresh perspective. It steps away to look at all wars - not just the conflicts currently in the news. The terrible beauty of the poetry is our guide, distilling the grim realities and divers emotions of war. History and literature have shown us that in times of war poets can lead us to greater truths and that the power of poetry can help us understand the trauma, violence and death caused by armed conflict. VOICES IN WARTIME uses the words of Wilfred Owen, considered by many to be the greatest poet of World War I, as a guide: "Above all I am not concerned with Poetry. My subject is War, and the pity of War. The poetry is the pity...All a poet can do today is warn. That is why Poets must be truthful."

Cast Salaries

Cast Salaries

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Cast Year Salary Inflation adjusted salary Notes
Don Cheadle 2005 $1,683,736 $2,775,190 (est)
Sophie Okonedo 2005 $350,000 $576,882 (est)
Joaquin Phoenix 2005 $1,225,000 $2,019,086 (est)
Nick Nolte 2005 $875,000 $1,442,204 (est)
Box Office

Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.

Inflation-adjusted values are shown in 2025 dollars when CPI data is available.

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Category Year Reported Inflation Adjusted
Domestic Domestic theatrical box office gross. 2005 $20,702 $34,122
International International theatrical box office gross. 2005 $0 $0
Worldwide Combined worldwide theatrical box office gross. 2005 $20,702 $33,253
Earnings / Profitability

Earnings / Profitability

Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.

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Category Year Reported Inflation Adjusted
Revenues
Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. 2005 $10,351 (est) $17,061 (est)
Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. 2005 $359 $592
Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. 2005 $57 $95
Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. 2005 $4,765 $7,854
Physical Purchases Physical Purchases: VHS $144, DVD $7,037 2005 $7,180 $11,835
TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. 2005 $4,844 (est) $7,984 (est)
Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. 2005 $27,557 $45,420
Expenses
Budget Production budget. 2005 $17,500,000 $28,109,319
Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $69,189 | Reg Main Pred: $168,503 2005 $80,000 (est) $131,859 (est)
Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2005 $0 (est) $0 (est)
Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2005 $681 (est) $1,122 (est)
Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 2005 $2,100,000 (est) $3,461,290 (est)
Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. 2005 $19,680,681 $31,703,590
Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. 2005 $-19,653,124 $-31,658,170
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