Synopsis
This feature documentary chronicles the last days of Dispatch, quite possibly the biggest band that never signed with a record label. In a time of upheaval in the music industry, their do-it-yourself style started a grassroots fan phenomenon that is changing the way indie bands (and record labels) do business. The band's final concert, "The Last Dispatch" drew 110,000 fans from every U.S. state and 20 foreign countries for one last free show in Boston in July of 2004.
Scores
Popularity Percentile (Year)
4.4%
Box Office Percentile (Year)
15.4%
Critic Consensus
0.0% Fresh • 1 critic reviews
Critic reception is largely negative, with 0% of 1 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize character-driven, emotional, visually striking. Many reviews cite uneven tone as the main reasons it falls short.
character-drivenemotionalvisually strikingthought-provokingrealisticuneven tone
Aggregated Reviews
Rotten Tomatoes critic scoreN/A
RT critic review count2
Rotten Tomatoes audience score79.0
RT audience rating count100
IMDb rating7.8
IMDb votes221
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2005 | $20,684 | $33,224 |
| International | 2005 | N/A | N/A |
| Worldwide | 2005 | $20,684 | $33,224 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2005 | $10,342 | $16,612 |
| Digital Rentals ? | 2005 | $32,000 | $51,400 |
| Digital Purchases ? | 2005 | $5,000 | $8,031 |
| Physical Rentals ? | 2005 | $1,775,000 | $2,851,088 |
| Physical Purchases ? | 2005 | $4,261,000 | $6,844,218 |
| TV & Streaming Revenue | 2005 | $64,800 | $104,085 |
| Total Revenues | 2005 | $6,148,142 | $9,875,434 |
| Expenses |
| Budget ? | 2005 | $216,000 (est) | $346,949 (est) |
| Print & Advertising (P&A) ? | 2005 | $80,000 (est) | $128,500 (est) |
| Participations | 2005 | $246,000 | $395,137 |
| Residuals ? | 2005 | $442,000 | $709,961 |
| Interest & Overhead | 2005 | $43,200 | $69,390 |
| Total Expenses | 2005 | $1,027,200 | $1,649,937 |
| Movie Net Profit or Loss | 2005 | $5,120,942 | $8,225,497 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Amy | 2015 | Shared genres: 3 | 80.1 | $22,715,889 |
 | Searching for Sugar Man | 2012 | Shared genres: 3 | 77.4 | $23,551,234 |
 | Moonage Daydream | 2022 | Shared genres: 3 | 73.5 | $19,371,975 |
 | Katy Perry: Part of Me | 2012 | Shared genres: 3 | 71.6 | $22,530,647 |
 | Once Were Brothers | 2020 | Shared genres: 3 | 70.5 | $27,616,785 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $82,000, DVD $4,169,000, BluRay $10,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=47413;reg_main_pred=276791
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
Comments
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