SCREEN PROFITS REPORT
The Funeral
1996 · Abel Ferrara · Mary Kane · 1 hr 39 min
After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Christopher Walken | 1996 | $427,698 | $877,476 | (est) |
| Benicio del Toro | 1996 | $1,250,000 | $2,564,532 | (est) |
| Vincent Gallo | 1996 | $213,229 | $437,466 | (est) |
| Paul Hipp | 1996 | $100,000 | $205,163 | (est) |
| Chris Penn | 1996 | $142,623 | $292,609 | (est) |
| Isabella Rossellini | 1996 | $173,884 | $356,745 | (est) |
| Annabella Sciorra | 1996 | $231,735 | $475,433 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 1996 | $1,227,324 | $2,518,009 |
| International International theatrical box office gross. | 1996 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 1996 | $1,227,324 | $2,453,866 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 1996 | $613,662 (est) | $1,259,004 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 1996 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 1996 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 1996 | $223,377 | $458,286 |
| Physical Purchases Physical Purchases: VHS $135,254 | 1996 | $135,254 | $277,490 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 1996 | $296,523 (est) | $608,354 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 1996 | $1,268,816 | $2,603,134 |
| Expenses | |||
| Budget Production budget. | 1996 | $12,500,000 | $24,992,033 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $1,232,513 | Reg Main Pred: $2,307,581 | 1996 | $982,000 (est) | $2,014,696 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $29,690 (est) | $60,913 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 1996 | $1,500,000 (est) | $3,077,438 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 1996 | $15,011,690 | $30,145,080 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 1996 | $-13,742,875 | $-27,541,946 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.