ScreenProfits

SCREEN PROFITS REPORT

Rush Hour

1998 · Brett Ratner · Roger Birnbaum | Jonathan Glickman | Arthur M. Sarkissian · 1 hr 38 min

A loyal and dedicated Hong Kong Inspector teams up with a reckless and loudmouthed L.A.P.D. detective to rescue the Chinese Consul's kidnapped daughter, while trying to arrest a dangerous crime lord along the way.

Cast Salaries

Cast Salaries

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Cast Year Salary Inflation adjusted salary Notes
Jackie Chan 1998 $15,000,000Reports put Chan's upfront pay at $15 million per movie plus 15 percent of the films' gross earningssource $29,622,699 (rep)
Chris Tucker 1998 $3,000,000Chris Tucker's $3 million salary for the first Rush Hour film was a game changersource $5,924,540 (rep)
Tom Wilkinson 1998 $400,000 $789,939 (est)
Chris Penn 1998 $250,000 $493,712 (est)
Elizabeth Peña 1998 $150,000 $296,227 (est)
Box Office

Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.

Inflation-adjusted values are shown in 2025 dollars when CPI data is available.

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Category Year Reported Inflation Adjusted
Domestic Domestic theatrical box office gross. 1998 $141,186,864 $278,822,402
International International theatrical box office gross. 1998 $103,200,000 $203,804,172
Worldwide Combined worldwide theatrical box office gross. 1998 $244,386,864 $470,332,265
Earnings / Profitability

Earnings / Profitability

Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.

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Category Year Reported Inflation Adjusted
Revenues
Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. 1998 $111,460,632 (est) $220,117,653 (est)
Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. 1998 $0 $0
Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. 1998 $0 $0
Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. 1998 $20,541,161 $40,565,642
Physical Purchases Physical Purchases: VHS $13,559,591, DVD $1,179,095 1998 $14,738,686 $29,106,645
TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. 1998 $32,249,231 (est) $63,687,286 (est)
Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. 1998 $178,989,711 $353,477,226
Expenses
Budget Production budget. 1998 $33,000,000 $63,509,816
Print & Advertising (P&A) Estimated prints and advertising cost. sourceSource: Studios Were in Passing Lane for 'Rush Hour' - Los Angeles TimesURL: https://www.latimes.com/archives/la-xpm-1998-oct-06-fi-29697-story.htmlNew Line Cinema, which bankrolled the $34-million comedy, stands to make a pretty profit on the movie given its total investment, which, with marketing and distribution costs, is about $65 million. 1998 $31,000,000 $61,220,245
Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 1998 $12,414,360 (est) $24,516,456 (est)
Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 1998 $4,009,370 (est) $7,917,890 (est)
Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. 1998 $3,960,000 (est) $7,820,393 (est)
Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. 1998 $84,383,729 $164,984,800
Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. 1998 $94,605,982 $188,492,426
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