SCREEN PROFITS REPORT
Pariah
2000 · Randolph Kret · 1 hr 37 min
Interracial couple attacked, woman raped, she commits suicide. Man joins attacker gang seeking revenge, but develops empathy. Faces test to kill for gang membership.
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Damon Jones | 2000 | $13,380 | $25,012 | (est) |
| Dave Oren Ward | 2000 | $8,920 | $16,674 | (est) |
| Angela Jones | 2000 | $31,220 | $58,361 | (est) |
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2000 | $441,496 | $825,305 |
| International International theatrical box office gross. | 2000 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 2000 | $441,496 | $804,282 |
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2000 | $220,748 (est) | $412,653 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2000 | $0 | $0 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2000 | $67,691 | $126,537 |
| Physical Purchases Physical Purchases: VHS $40,709, DVD $20,507 | 2000 | $61,216 | $114,434 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2000 | $100,659 (est) | $188,166 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2000 | $450,314 | $841,789 |
| Expenses | |||
| Budget Production budget. | 2000 | $446,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $550,702 | Reg Main Pred: $1,817,545 | 2000 | $353,000 (est) | $659,876 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $10,087 (est) | $18,856 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2000 | $53,520 (est) | $100,047 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2000 | $862,607 | $1,612,504 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2000 | $-412,293 | $-770,715 |
Similar Movies
Related titles based on shared genres and franchise overlap.
O Brother, Where Art Thou?
Year2000
Overall89.3
Est. Profit-$60M
Air Force One
Year1997
Overall90.2
Est. Profit$65M
Ransom
Year1996
Overall88.2
Est. Profit$44M
Heat
Year1995
Overall93.0
Est. Profit-$85M
Clear and Present Danger
Year1994
Overall88.4
Est. Profit$40M
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.