SCREEN PROFITS REPORT
2016 · Deon Taylor · Roxanne Avent | Shannon McIntosh | Deon Taylor · 1 hr 34 min
As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Mike Epps | 2016 | $135,000 | $181,069 | (est) |
| Gary Owen | 2016 | $50,981 | $68,378 | (est) |
| Zulay Henao | 2016 | $63,000 | $84,499 | (est) |
| Bresha Webb | 2016 | $45,000 | $60,356 | (est) |
| Lil Duval | 2016 | $25,087 | $33,648 | (est) |
| King Bach | 2016 | $10,345 | $13,875 | (est) |
| Charlie Murphy | 2016 | $18,000 | $24,142 | (est) |
| George Lopez | 2016 | $18,000 | $24,142 | (est) |
| Mike Tyson | 2016 | $18,000 | $24,142 | (est) |
| Michael Blackson | 2016 | $16,261 | $21,810 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2016 | $9,097,072 | $12,201,448 |
| International International theatrical box office gross. | 2016 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 2016 | $9,097,072 | $11,890,631 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2016 | $4,548,536 (est) | $6,100,724 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2016 | $826,836 | $1,108,994 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2016 | $734,246 | $984,807 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2016 | $277,772 | $372,562 |
| Physical Purchases Physical Purchases: DVD $399,622, BluRay $202,218 | 2016 | $601,840 | $807,217 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2016 | $1,630,968 (est) | $2,187,536 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2016 | $8,620,198 | $11,561,841 |
| Expenses | |||
| Budget Production budget. | 2016 | $900,000 | $1,176,375 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $4,597,132 | Reg Main Pred: $4,176,150 | 2016 | $810,000 (est) | $1,086,412 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $753,648 (est) | $1,010,830 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $132,751 (est) | $178,052 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2016 | $108,000 (est) | $144,855 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2016 | $2,704,399 | $3,596,525 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2016 | $5,915,799 | $7,965,316 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.
