Synopsis
Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on the White House. Along the way they meet a mysterious Black woman. Together, these four men and one woman encounter racism, sexism, internal conflicts, and finally redemption as they discover their common humanity and their internal ability to conquer the societal ills that effect them all.
Scores
Popularity Percentile (Year)
34.4%
Box Office Percentile (Year)
12.2%
Critic Consensus
75.0% Fresh • 12 critic reviews
Critic reception is largely positive, with 75% of 12 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize character-driven, lighthearted, emotional. Most critics frame the film as an effective delivery of its core style and intent.
character-drivenlightheartedemotionalvisually strikingthought-provokingrealistic
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| Jeremy Irons | 1997 | $6,054,000 | $11,832,000 | (est) |
| Melanie Griffith | 1997 | $3,727,000 | $7,284,000 | (est) |
| Frank Langella | 1997 | $2,806,000 | $5,484,000 | (est) |
| Dominique Swain | 1997 | $2,294,000 | $4,484,000 | (est) |
Aggregated Reviews
Rotten Tomatoes critic score69.0
RT critic review count26
Rotten Tomatoes audience score75.0
RT audience rating count10,000
IMDb rating6.9
IMDb votes239
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 1997 | $52,155 | $101,938 |
| International | 1997 | N/A | N/A |
| Worldwide | 1997 | $52,155 | $101,938 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 1997 | $26,078 | $50,969 |
| Digital Rentals ? | 1997 | N/A | N/A |
| Digital Purchases ? | 1997 | N/A | N/A |
| Physical Rentals ? | 1997 | $2,313,000 | $4,520,798 |
| Physical Purchases ? | 1997 | $3,090,000 | $6,039,458 |
| TV & Streaming Revenue | 1997 | $26,078 | $50,969 |
| Total Revenues | 1997 | $5,455,155 | $10,662,194 |
| Expenses |
| Budget ? | 1997 | $62,000,000 | $121,180,062 |
| Print & Advertising (P&A) ? | 1997 | $80,000 (est) | $156,361 (est) |
| Participations | 1997 | $109,000 | $213,042 |
| Residuals ? | 1997 | $392,000 | $766,171 |
| Interest & Overhead | 1997 | $9,300,000 | $18,177,009 |
| Total Expenses | 1997 | $71,881,000 | $140,492,646 |
| Movie Net Profit or Loss | 1997 | $-66,425,845 | $-129,830,452 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | The Dark Knight | 2008 | Shared genres: 1 | 98.6 | $250,967,554 |
 | The Lord of the Rings: The Two Towers | 2002 | Shared genres: 1 | 98.6 | $353,999,540 |
 | Top Gun: Maverick | 2022 | Shared genres: 1 | 98.4 | $468,504,286 |
 | The Lord of the Rings: The Fellowship of the Ring | 2001 | Shared genres: 1 | 98.2 | $290,785,995 |
 | Saving Private Ryan | 1998 | Shared genres: 1 | 98.2 | $170,641,773 |
Tooltips
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $3,042,000, DVD $48,000, BluRay $0
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=231034;reg_main_pred=491864
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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