Synopsis
A camera follows model Christy Turlington through the spring fashion shows in Milan, Paris, and New York in 1994. She and others dash from one designer's unveilings to another. Extended footage looks at Versace and Armani in Milan, Galliano, Gaultier, and Langerfeld in Paris, and Isaac Mizrahi in New York. With Kate Moss, Naomi Campbell, and Turlington, we see the nature of friendships among models. With the engaging Mizrahi in particular, there's some exploration of the relationship between designer and models.
Scores
Popularity Percentile (Year)
3.5%
Box Office Percentile (Year)
6.4%
Critic Consensus
100.0% Fresh • 1 critic reviews
Critic reception is largely positive, with 100% of 1 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize character-driven, emotional, visually striking. Most critics frame the film as an effective delivery of its core style and intent.
character-drivenemotionalvisually strikingthought-provokingrealistic
Aggregated Reviews
Rotten Tomatoes critic score43.0
RT critic review count7
Rotten Tomatoes audience score57.0
RT audience rating count50
IMDb rating7.0
IMDb votes395
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 1996 | $28,672 | $57,326 |
| International | 1996 | N/A | N/A |
| Worldwide | 1996 | $28,672 | $57,326 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 1996 | $14,336 | $28,663 |
| Digital Rentals ? | 1996 | N/A | N/A |
| Digital Purchases ? | 1996 | N/A | N/A |
| Physical Rentals ? | 1996 | $965,000 | $1,929,385 |
| Physical Purchases ? | 1996 | $1,143,000 | $2,285,272 |
| TV & Streaming Revenue | 1996 | $75,000 | $149,952 |
| Total Revenues | 1996 | $2,197,336 | $4,393,272 |
| Expenses |
| Budget ? | 1996 | $250,000 (est) | $499,841 (est) |
| Print & Advertising (P&A) ? | 1996 | $80,000 (est) | $159,949 (est) |
| Participations | 1996 | $88,000 | $175,944 |
| Residuals ? | 1996 | $151,000 | $301,904 |
| Interest & Overhead | 1996 | $50,000 | $99,968 |
| Total Expenses | 1996 | $619,000 | $1,237,606 |
| Movie Net Profit or Loss | 1996 | $1,578,336 | $3,155,666 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 1 | 87.4 | $149,890,765 |
 | Free Solo | 2018 | Shared genres: 1 | 87.1 | $25,984,082 |
 | Bowling for Columbine | 2002 | Shared genres: 1 | 86.1 | $62,944,215 |
 | Taylor Swift: The Eras Tour | 2023 | Shared genres: 1 | 85.8 | $87,607,891 |
 | Jackass Forever | 2022 | Shared genres: 1 | 85.1 | $46,545,808 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $1,141,000, DVD $3,000, BluRay $0
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=48187;reg_main_pred=191213
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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