Synopsis
From director Andrew Rossi (Page One: Inside the New York Times, The First Monday in May) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, Bronx Gothic. Rooted in memories of her childhood, Okwui - who's worked with conceptual artists like Ralph Lemon and Julie Taymor - fuses dance, song, drama and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, Bronx Gothic allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.
Scores
Popularity Percentile (Year)
4.1%
Box Office Percentile (Year)
22.0%
Critic Consensus
54.5% Fresh • 11 critic reviews
Critic reception is mixed, with 55% of 11 logged reviews marked Fresh. Across reviews, critics repeatedly emphasize gritty, emotional, political. Common reservations focus on execution consistency, even when reviewers praise standout elements.
grittyemotionalpoliticalsuspensefulcharacter-drivenvisually striking
Cast
| Cast | Year | Reported Salary | Inflation Adjusted | Notes |
|---|
| N/A |
Aggregated Reviews
Rotten Tomatoes critic score55.0
RT critic review count11
Rotten Tomatoes audience scoreN/A
RT audience rating count25
IMDb rating6.6
IMDb votes81
Box Office ?
| Category | Year | Reported | Inflation Adjusted |
|---|
| Domestic | 2017 | $27,151 | $34,750 |
| International | 2017 | N/A | N/A |
| Worldwide | 2017 | $27,151 | $34,750 |
Earnings / Profitability
Estimated net revenues and net expenses for films based on reported and estimated numbers. This income statement should be considered most viable for the first 24 months after the inital movie's release (ie after most lucrative pay windows).
| Category | Year | Reported | Inflation Adjusted |
|---|
| Revenues |
| Theatrical Net Revenue | 2017 | $13,576 | $17,375 |
| Digital Rentals ? | 2017 | $730,000 | $934,317 |
| Digital Purchases ? | 2017 | $814,000 | $1,041,827 |
| Physical Rentals ? | 2017 | $544,000 | $696,258 |
| Physical Purchases ? | 2017 | $1,563,000 | $2,000,462 |
| TV & Streaming Revenue | 2017 | $71,700 | $91,768 |
| Total Revenues | 2017 | $3,736,276 | $4,782,006 |
| Expenses |
| Budget ? | 2017 | $239,000 (est) | $305,893 (est) |
| Print & Advertising (P&A) ? | 2017 | $80,000 (est) | $102,391 (est) |
| Participations | 2017 | $149,000 | $190,703 |
| Residuals ? | 2017 | $197,000 | $252,138 |
| Interest & Overhead | 2017 | $47,800 | $61,179 |
| Total Expenses | 2017 | $712,800 | $912,303 |
| Movie Net Profit or Loss | 2017 | $3,023,476 | $3,869,703 |
Similar Movies
| Poster | Movie | Year | Match | Overall | Est. Profit |
|---|
 | Fahrenheit 9/11 | 2004 | Shared genres: 1 | 87.4 | $149,890,765 |
 | Free Solo | 2018 | Shared genres: 1 | 87.1 | $25,984,082 |
 | Bowling for Columbine | 2002 | Shared genres: 1 | 86.1 | $62,944,215 |
 | Taylor Swift: The Eras Tour | 2023 | Shared genres: 1 | 85.8 | $87,607,891 |
 | Jackass Forever | 2022 | Shared genres: 1 | 85.1 | $46,545,808 |
Tooltips
- Budget Estimated using Machine Learning
- Digital Rentals: PVOD, VOD, & On-Demand
- Marketing & distribution costs to release Movie in Theaters. Includes: Online & Offline Ads, Posters, Trailer Production, and physical or digital copies (formerly "prints") sent to cinemas.
- Net Digital Purchase Revenue
- Net Revenues for Physical Rentals: VHS, DVD, BluRay (when appropriate)
- Physical Purchases: VHS $0, DVD $1,008,000, BluRay $555,000
- Reported or Estimated Net Budget (after tax, product placements, & grants)
- Theatrical box office grosses split into Domestic, International, and Worldwide totals.
- Union-modeled residuals using SAG-AFTRA and WGA schedules as a simplified estimate proxy.
- reestimate_prior_estimate;covid_mult=1.00;peer_count=0;reg_box_pred=70000;reg_main_pred=247550
Budget Tooltip
Reported or Estimated Net Budget (after tax, product placements, & grants)
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