SCREEN PROFITS REPORT
At Eternity's Gate
2018 · Julian Schnabel · Jon Kilik · 1 hr 51 min
A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Willem Dafoe | 2018 | $3,000,000he became the main villain in Speed 2: Cruise Control as John Guyger his paycheck a massive two to$2.5.source | $3,845,878 | (rep) |
| Rupert Friend | 2018 | $506,400 | $649,184 | (est) |
| Mads Mikkelsen | 2018 | $354,480 | $454,429 | (est) |
| Mathieu Amalric | 2018 | $253,200 | $324,592 | (est) |
| Emmanuelle Seigner | 2018 | $177,240 | $227,214 | (est) |
| Oscar Isaac | 2018 | $101,280 | $129,837 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2018 | $2,294,915 | $2,941,988 |
| International International theatrical box office gross. | 2018 | $8,962,780 | $11,489,920 |
| Worldwide Combined worldwide theatrical box office gross. | 2018 | $11,257,695 | $14,064,273 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2018 | $4,732,570 (est) | $6,066,962 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2018 | $284,956 | $365,302 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2018 | $288,896 | $370,353 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2018 | $68,174 | $87,397 |
| Physical Purchases Physical Purchases: DVD $102,149, BluRay $62,607 | 2018 | $164,756 | $211,210 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2018 | $420,679 (est) | $539,294 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2018 | $5,960,031 | $7,640,517 |
| Expenses | |||
| Budget Production budget. | 2018 | $5,064,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $5,776,398 | Reg Main Pred: $5,113,903 | 2018 | $5,569,000 (est) | $7,139,232 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $86,420 (est) | $110,788 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2018 | $607,680 (est) | $779,021 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2018 | $11,327,100 | $14,520,883 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2018 | $-5,367,070 | $-6,880,365 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.