SCREEN PROFITS REPORT
Amigo
2011 · John Sayles · Maggie Renzi | Mario Ontal | Joel Torre · 2 hr 4 min
A fictional account of events during the Philippine-American War.
Cast Salaries
Cast Salaries
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Chris Cooper | 2011 | $225,000 | $322,043 | (est) |
| Garret Dillahunt | 2011 | $146,588 | $209,812 | (est) |
| DJ Qualls | 2011 | $94,714 | $135,564 | (est) |
| Joel Torre | 2011 | $75,000 | $107,348 | (est) |
| Yul Vazquez | 2011 | $52,500 | $75,143 | (est) |
| Bembol Roco | 2011 | $18,155 | $25,985 | (est) |
| Rio Locsin | 2011 | $16,298 | $23,327 | (est) |
| Ronnie Lazaro | 2011 | $30,000 | $42,939 | (est) |
| Dane DeHaan | 2011 | $30,000 | $42,939 | (est) |
Box Office
Box Office Reported grosses are direct imports. Inflation-adjusted values use imported adjusted totals when available, otherwise they use the yearly U.S. CPI table you maintain in WordPress.
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2011 | $184,705 | $264,369 |
| International International theatrical box office gross. | 2011 | $0 | $0 |
| Worldwide Combined worldwide theatrical box office gross. | 2011 | $184,705 | $257,634 |
Earnings / Profitability
Earnings / Profitability
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2011 | $92,353 (est) | $132,184 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2011 | $10,123 | $14,489 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2011 | $5,985 | $8,567 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2011 | $14,903 | $21,330 |
| Physical Purchases Physical Purchases: DVD $18,464, BluRay $5,208 | 2011 | $23,672 | $33,882 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2011 | $35,420 (est) | $50,697 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2011 | $182,456 | $261,150 |
| Expenses | |||
| Budget Production budget. | 2011 | $1,500,000 | $2,092,263 |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $453,504 | Reg Main Pred: $865,157 | 2011 | $148,000 (est) | $211,833 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $3,339 (est) | $4,779 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2011 | $180,000 (est) | $257,635 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2011 | $1,831,339 | $2,566,510 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2011 | $-1,648,883 | $-2,305,360 |
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Deep Dives & Reports
Deep Dives & Reports
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.