SCREEN PROFITS REPORT
A la mala
2015 · Pedro Pablo Ibarra · Jorge Aragón · 1 hr 39 min
When aspiring actress Maria Laura's best friend begs her to flirt with her boyfriend to test his fidelity, Maria finds a lucrative new career.
SCREEN PROFITS REPORT
2015 · Pedro Pablo Ibarra · Jorge Aragón · 1 hr 39 min
When aspiring actress Maria Laura's best friend begs her to flirt with her boyfriend to test his fidelity, Maria finds a lucrative new career.
| Cast | Year | Salary | Inflation adjusted salary | Notes |
|---|---|---|---|---|
| Aislinn Derbez | 2015 | $120,330 | $163,436 | (est) |
| Mauricio Ochmann | 2015 | $199,496 | $270,961 | (est) |
| Luis Arrieta | 2015 | $50,138 | $68,099 | (est) |
| Aurora Papile | 2015 | $32,088 | $43,583 | (est) |
| Daniela Schmidt | 2015 | $20,055 | $27,239 | (est) |
| Juan Diego Covarrubias | 2015 | $12,033 | $16,344 | (est) |
| Alejandra Guilmant | 2015 | $12,033 | $16,344 | (est) |
Inflation-adjusted values are shown in 2025 dollars when CPI data is available.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Domestic Domestic theatrical box office gross. | 2015 | $3,629,842 | $4,930,152 |
| International International theatrical box office gross. | 2015 | $16,785 | $22,798 |
| Worldwide Combined worldwide theatrical box office gross. | 2015 | $3,646,627 | $4,826,780 |
Estimated revenues and expenses for films based on currently imported reported and estimated fields. Inflation-adjusted values use the CPI table when direct adjusted values are not present in the export.
| Category | Year | Reported | Inflation Adjusted |
|---|---|---|---|
| Revenues | |||
| Theatrical Net Revenue Estimated distributor theatrical revenue using the year-based ScreenProfits finance model. | 2015 | $1,821,635 (est) | $2,474,195 (est) |
| Digital Rentals Estimated digital rental revenue from the year-based ScreenProfits finance model. | 2015 | $334,815 | $454,755 |
| Digital Purchases Estimated digital purchase revenue from the year-based ScreenProfits finance model. | 2015 | $278,337 | $378,045 |
| Physical Rentals Estimated physical rental revenue from the year-based ScreenProfits finance model. | 2015 | $158,497 | $215,275 |
| Physical Purchases Physical Purchases: DVD $217,458, BluRay $99,536 | 2015 | $316,994 | $430,550 |
| TV & Streaming Revenue Estimated ancillary TV and streaming revenue from the year-based ScreenProfits finance model. | 2015 | $665,496 (est) | $903,895 (est) |
| Total Revenues Total of the revenue streams currently available or derived in this ScreenProfits profitability view. | 2015 | $3,575,773 | $4,856,715 |
| Expenses | |||
| Budget Production budget. | 2015 | $4,011,000 | N/A |
| Print & Advertising (P&A) P&A Estimated using Machine Learning sourceSource: ML P&A estimate (peer+ridge)Machine-learned P&A estimate based on peer comps and regression inputs. Reestimate Prior Estimate | Covid Mult: 1 | Peer Count: 0 | Reg Box Pred: $3,802,522 | Reg Main Pred: $3,872,975 | 2015 | $3,464,000 (est) | $4,704,901 (est) |
| Participations Talent and producer participation payouts. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2015 | $0 (est) | $0 (est) |
| Residuals Residual and related distribution expense line. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2015 | $56,855 (est) | $77,222 (est) |
| Interest & Overhead Interest and overhead allocation. Parsed from source context when available, otherwise estimated from the year-based ScreenProfits finance model. | 2015 | $481,320 (est) | $653,742 (est) |
| Total Expenses Total of budget, P&A, participations, residuals, and interest/overhead in this ScreenProfits profitability view. | 2015 | $8,013,175 | $10,883,717 |
| Movie Net Profit or Loss Estimated movie net profit/loss from the current ScreenProfits revenue and expense model. | 2015 | $-4,437,402 | $-6,027,002 |
Related titles based on shared genres and franchise overlap.
Editorial posts linked to this movie will be highlighted here via the post-to-movie relationship table.