Sony Pictures Classics (United States)
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Movies38
Years1992-2023
Avg Score59.9
Worldwide Gross$560,853,209
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Midnight in Paris | 2011 | 92.5 | 96.3% | 91.9% | $151M | $45M | $65M |
|
Stan & Ollie | 2018 | 81.7 | 80.8% | 81.5% | $24M | -$7M | -$8M |
|
The Wife | 2018 | 80.5 | 81.8% | 79.8% | $20M | $3M | $4M |
|
Persepolis | 2007 | 78.9 | 75.4% | 76.6% | $23M | -$3M | -$5M |
|
To Rome with Love | 2012 | 76.9 | 81.6% | 87.0% | $73M | $2M | $4M |
|
Spring, Summer, Fall, Winter... and Spring | 2004 | 76.8 | 78.8% | 66.9% | $9M | -$3M | -$5M |
|
An Education | 2009 | 76.8 | 75.8% | 74.3% | $26M | $1M | $2M |
|
Magic in the Moonlight | 2014 | 76.3 | 80.2% | 84.6% | $51M | -$4M | -$5M |
|
Howards End | 1992 | 75.3 | 69.1% | 78.1% | $26M | $9M | $21M |
|
A Fantastic Woman | 2018 | 74.3 | 77.9% | 65.2% | $4M | -$4M | -$5M |
|
Waltz with Bashir | 2008 | 74.1 | 71.5% | 67.9% | $11M | $3M | $4M |
|
Chloe | 2010 | 66.5 | 72.9% | 67.7% | $14M | -$14M | -$21M |
|
You Will Meet a Tall Dark Stranger | 2010 | 65.4 | 65.8% | 76.0% | $36M | -$18M | -$26M |
|
Being Julia | 2004 | 65.3 | 57.1% | 71.0% | $14M | -$16M | -$27M |
|
The Son | 2023 | 64.0 | 73.0% | 61.0% | $4M | -$8M | -$8M |
|
Film Stars Don't Die in Liverpool | 2017 | 63.7 | 60.3% | 62.7% | $4M | -$13M | -$16M |
|
The Children of Huang Shi | 2008 | 62.8 | 66.2% | 64.4% | $8M | -$44M | -$64M |
|
Easy Virtue | 2009 | 62.4 | 59.0% | 71.7% | $18M | -$7M | -$11M |
|
Third Person | 2014 | 59.7 | 67.9% | 61.6% | $3M | -$4M | -$5M |
|
Sleuth | 2007 | 58.3 | 60.7% | 61.2% | $5M | -$6M | -$9M |
|
Final Portrait | 2018 | 58.2 | 56.5% | 58.3% | $2M | -$2M | -$3M |
|
Riding Alone for Thousands of Miles | 2006 | 57.9 | 47.3% | 59.7% | $4M | -$5M | -$7M |
|
Interview | 2007 | 57.0 | 59.8% | 52.1% | $1M | -$2M | -$3M |
|
The Company | 2003 | 56.9 | 51.9% | 60.6% | $6M | -$17M | -$29M |
|
The House of Mirth | 2000 | 56.0 | 48.3% | 54.8% | $5M | -$11M | -$19M |
|
Youth Without Youth | 2007 | 53.3 | 54.8% | 56.7% | $3M | -$792K | -$1M |
|
Shower | 2000 | 50.7 | 36.3% | 49.4% | $2M | $705K | $1M |
|
Boundaries | 2018 | 49.8 | 44.1% | 52.0% | $756K | -$840K | -$1M |
|
Darling Companion | 2012 | 48.4 | 53.3% | 51.6% | $1M | -$13M | -$18M |
|
Frankie | 2019 | 46.9 | 42.0% | 53.1% | $726K | -$1M | -$1M |
|
Dark Blue World | 2001 | 45.6 | 34.7% | 44.7% | $2M | -$9M | -$17M |
|
Crush | 2002 | 43.7 | 29.7% | 53.5% | $4M | -$6M | -$11M |
|
The Statement | 2003 | 42.7 | 41.5% | 47.0% | $1M | -$30M | -$52M |
|
Person to Person | 2017 | 40.0 | 51.3% | 27.7% | $48K | -$312K | -$410K |
|
A German Youth | 2019 | 39.4 | 66.3% | 0.9% | $2K | -$1M | -$1M |
|
Dancing at Lughnasa | 1998 | 38.2 | 24.8% | 42.6% | $2M | -$2M | -$4M |
|
Greed | 2020 | 31.7 | 1.4% | 64.9% | $1M | -$5M | -$7M |
|
Carmen | 2022 | 28.3 | 33.4% | 3.6% | $4K | -$354K | -$389K |