Rob Simonsen
Dynamic entity page generated from imported ScreenProfits movie metadata.
Music By
Movies38
Years2009-2025
Avg Score68.7
Worldwide Gross$2,868,259,529
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Deadpool & Wolverine | 2024 | 96.3 | 99.7% | 99.7% | $1B | $298M | $311M |
|
Ghostbusters: Afterlife | 2021 | 91.0 | 95.0% | 94.7% | $204M | $12M | $16M |
|
Love, Simon | 2018 | 90.0 | 92.5% | 89.2% | $66M | $14M | $18M |
|
500 Days of Summer | 2009 | 89.5 | 97.6% | 83.1% | $61M | $53M | $80M |
|
The Whale | 2022 | 89.1 | 96.0% | 87.6% | $58M | $37M | $40M |
|
It Ends with Us | 2024 | 87.7 | 89.4% | 96.8% | $351M | $43M | $45M |
|
The Way Back | 2020 | 85.3 | 88.0% | 84.9% | $15M | $20M | $26M |
|
Gifted | 2017 | 85.1 | 89.6% | 83.4% | $43M | $24M | $32M |
|
The Age of Adaline | 2015 | 85.0 | 92.9% | 87.1% | $66M | $12M | $17M |
|
Nerve | 2016 | 83.9 | 88.8% | 87.8% | $85M | $19M | $27M |
|
The Upside | 2019 | 83.8 | 86.0% | 92.4% | $126M | $20M | $26M |
|
The Way Way Back | 2013 | 83.4 | 88.0% | 78.8% | $26M | $28M | $39M |
|
Foxcatcher | 2014 | 82.8 | 90.5% | 76.8% | $19M | -$3M | -$3M |
|
Elio | 2025 | 82.0 | 72.6% | 94.2% | $154M | $83M | $83M |
|
Tully | 2018 | 81.6 | 86.2% | 77.4% | $16M | $812K | $1M |
|
Going in Style | 2017 | 81.2 | 86.8% | 88.6% | $85M | $7M | $10M |
|
The Spectacular Now | 2013 | 79.3 | 86.3% | 69.5% | $7M | $21M | $29M |
|
Burnt | 2015 | 76.7 | 88.6% | 80.3% | $37M | -$2M | -$2M |
|
Seeking a Friend for the End of the World | 2012 | 75.3 | 84.4% | 73.8% | $12M | $11M | $15M |
|
Caught Stealing | 2025 | 74.1 | 67.1% | 79.2% | $33M | -$33M | -$33M |
|
Captive State | 2019 | 72.8 | 84.5% | 73.1% | $9M | -$27M | -$33M |
|
Wish I Was Here | 2014 | 67.1 | 72.1% | 67.4% | $6M | $11M | $15M |
|
Father Figures | 2017 | 65.3 | 70.2% | 79.0% | $26M | -$19M | -$24M |
|
Our Friend | 2021 | 64.8 | 66.8% | 50.5% | $664K | $5M | $6M |
|
The Front Runner | 2018 | 63.7 | 68.9% | 63.3% | $3M | -$16M | -$20M |
|
The Only Living Boy in New York | 2017 | 60.8 | 67.1% | 58.8% | $3M | $7M | $9M |
|
All Good Things | 2010 | 58.6 | 70.6% | 52.8% | $2M | -$43M | -$62M |
|
Girl Most Likely | 2013 | 57.1 | 64.0% | 60.6% | $2M | $15M | $20M |
|
Management | 2009 | 56.3 | 63.1% | 54.9% | $3M | $20M | $30M |
|
The English Teacher | 2013 | 50.5 | 57.4% | 45.5% | $320K | $11M | $15M |
|
Fast Color | 2019 | 49.2 | 60.5% | 23.5% | $77K | $4M | $5M |
|
Stonewall | 2015 | 43.9 | 46.4% | 39.2% | $293K | $9M | $13M |
|
Know Your Place | 2024 | 43.1 | 43.0% | 19.1% | $53K | $3M | $3M |
|
Tomorrow | 2017 | 39.8 | 3.9% | 73.2% | $11M | -$1M | -$1M |
|
Miss Stevens | 2016 | 39.5 | 50.9% | 3.5% | $5K | $138K | $185K |
|
The House of Tomorrow | 2018 | 36.6 | 40.0% | 17.6% | $36K | -$7M | -$8M |
|
Stonewall Uprising | 2010 | 35.1 | 29.6% | 33.0% | $128K | $12M | $17M |
|
Brooklyn Brothers Beat the Best | 2012 | 22.6 | 21.5% | 7.7% | $8K | $1M | $2M |