Roadside Attractions
Dynamic entity page generated from imported ScreenProfits movie metadata.
Production Company
Studio
Distributor
Movies206
Years1999-2026
Avg Score54.8
Worldwide Gross$1,185,713,426
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
Manchester by the Sea | 2016 | 91.5 | 97.4% | 87.6% | $79M | $42M | $57M |
|
The Peanut Butter Falcon | 2019 | 87.8 | 91.8% | 80.9% | $24M | $16M | $20M |
|
Mud | 2013 | 85.5 | 89.2% | 80.9% | $33M | $20M | $28M |
|
Judy | 2019 | 83.8 | 84.7% | 85.1% | $46M | $16M | $21M |
|
The Courier | 2021 | 83.7 | 84.9% | 81.3% | $26M | $17M | $20M |
|
Super Size Me | 2004 | 82.3 | 89.4% | 74.5% | $21M | $51M | $87M |
|
A Most Wanted Man | 2014 | 81.0 | 84.2% | 81.1% | $36M | $13M | $18M |
|
Lee | 2024 | 80.1 | 78.7% | 83.6% | $25M | $12M | $13M |
|
Mr. Holmes | 2015 | 79.9 | 82.9% | 77.8% | $29M | $13M | $19M |
|
I Can Only Imagine | 2018 | 79.9 | 72.2% | 91.0% | $86M | $52M | $67M |
|
Small Things Like These | 2024 | 79.6 | 78.5% | 79.4% | $14M | $7M | $8M |
|
Margin Call | 2011 | 79.6 | 85.0% | 73.4% | $20M | $25M | $36M |
|
Arbitrage | 2012 | 79.1 | 79.6% | 81.9% | $35M | $23M | $32M |
|
Love & Mercy | 2015 | 78.7 | 77.2% | 77.7% | $29M | $11M | $15M |
|
Mommy | 2014 | 77.8 | 77.1% | 73.7% | $13M | $14M | $19M |
|
All Is Lost | 2013 | 77.7 | 81.1% | 73.5% | $14M | $10M | $14M |
|
Stronger | 2017 | 77.6 | 81.4% | 70.2% | $9M | -$19M | -$24M |
|
Winter's Bone | 2010 | 77.4 | 82.7% | 68.1% | $14M | $32M | $47M |
|
Biutiful | 2011 | 75.4 | 77.7% | 74.9% | $25M | -$10M | -$13M |
|
In a World... | 2013 | 74.8 | 83.0% | 64.6% | $3M | -$25M | -$32M |
|
Emily the Criminal | 2022 | 74.8 | 83.5% | 59.7% | $2M | $12M | $13M |
|
Pinocchio | 2020 | 74.8 | 69.3% | 88.3% | $24M | $27M | $34M |
|
Love & Friendship | 2016 | 74.5 | 73.0% | 76.2% | $21M | $22M | $29M |
|
Ben Is Back | 2018 | 74.3 | 76.0% | 72.7% | $10M | -$2M | -$2M |
|
I Love You Phillip Morris | 2010 | 74.0 | 78.8% | 72.1% | $21M | $14M | $21M |
|
'71 | 2015 | 73.8 | 80.9% | 58.6% | $3M | $7M | $10M |
|
The Skeleton Twins | 2014 | 73.5 | 77.4% | 67.5% | $6M | $21M | $28M |
|
Hello, My Name Is Doris | 2016 | 73.3 | 71.6% | 73.2% | $15M | $24M | $32M |
|
Words on Bathroom Walls | 2020 | 73.2 | 68.6% | 71.4% | $3M | $26M | $32M |
|
Kill | 2024 | 73.0 | 82.5% | 54.3% | $2M | $9M | $9M |
|
Juliet, Naked | 2018 | 72.7 | 76.3% | 66.8% | $5M | $6M | $8M |
|
Redemption | 2013 | 72.5 | 76.8% | 72.9% | $13M | -$11M | -$15M |
|
A Hologram for the King | 2016 | 72.1 | 78.2% | 70.1% | $9M | -$24M | -$31M |
|
The Last Full Measure | 2020 | 72.0 | 70.0% | 72.7% | $3M | $15M | $19M |
|
The Last Showgirl | 2024 | 71.8 | 70.1% | 72.2% | $7M | $9M | $10M |
|
Lady Macbeth | 2017 | 71.5 | 73.8% | 65.3% | $5M | $14M | $18M |
|
Forever My Girl | 2018 | 71.4 | 74.2% | 77.9% | $16M | $16M | $21M |
|
Friends with Kids | 2012 | 71.3 | 74.5% | 74.5% | $13M | $8M | $12M |
|
Much Ado About Nothing | 2013 | 70.9 | 69.8% | 67.5% | $5M | $13M | $18M |
|
Retribution | 2023 | 70.6 | 75.5% | 76.8% | $19M | -$10M | -$10M |
|
Boy Kills World | 2024 | 70.5 | 80.5% | 61.1% | $3M | $5M | $5M |
| The Last Showgirl | 2025 | 69.4 | 72.4% | 62.7% | $5M | $6M | $6M | |
|
Dear White People | 2014 | 68.9 | 69.1% | 66.2% | $5M | $19M | $26M |
|
The Alpinist | 2021 | 68.8 | 66.0% | 59.8% | $1M | $15M | $18M |
|
Our Kind of Traitor | 2016 | 68.8 | 70.2% | 70.9% | $11M | $7M | $10M |
|
The Homesman | 2014 | 68.4 | 71.4% | 65.2% | $4M | $276K | $930K |
|
The Wall | 2017 | 67.5 | 75.6% | 63.6% | $4M | $9M | $12M |
|
Whitney | 2018 | 67.4 | 62.0% | 67.1% | $5M | $9M | $12M |
|
Stories We Tell | 2013 | 67.2 | 62.8% | 63.3% | $3M | $18M | $26M |
|
Miss You Already | 2015 | 67.2 | 65.6% | 68.0% | $8M | $10M | $13M |