Neon
Dynamic entity page generated from imported ScreenProfits movie metadata.
Studio
Distributor
Production Company
Movies95
Years2005-2025
Avg Score63.4
Worldwide Gross$846,856,175
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
2023 | 64.6 | 71.7% | 54.7% | $2M | -$2M | -$2M | |
|
2024 | 64.2 | 58.3% | 64.2% | $4M | -$5M | -$5M | |
|
2022 | 63.8 | 74.2% | 45.6% | $394K | -$581K | -$639K | |
|
2018 | 63.1 | 71.9% | 57.7% | $1M | -$12M | -$16M | |
|
2023 | 62.9 | 61.0% | 69.9% | $7M | -$3M | -$3M | |
|
2023 | 62.7 | 65.9% | 49.7% | $1M | -$1M | -$1M | |
|
2022 | 62.3 | 59.9% | 56.0% | $1M | $143K | $158K | |
|
2023 | 62.3 | 69.6% | 52.6% | $1M | -$2M | -$2M | |
|
New Order
COVID-era
|
2021 | 62.2 | 60.9% | 61.4% | $2M | -$2M | -$2M |
| 2025 | 61.4 | 64.6% | 61.6% | $5M | $864K | $864K | ||
| 2025 | 61.3 | 67.7% | 60.9% | $4M | -$736K | -$736K | ||
|
2017 | 59.8 | 67.0% | 44.9% | $487K | -$528K | -$693K | |
|
In the Earth
COVID-era
|
2021 | 59.5 | 63.2% | 58.3% | $1M | -$1M | -$2M |
|
2019 | 56.6 | 56.7% | 45.5% | $365K | -$392K | -$493K | |
|
2023 | 56.4 | 54.3% | 48.6% | $954K | -$1M | -$2M | |
|
2025 | 56.2 | 56.7% | 58.0% | $3M | -$4M | -$4M | |
|
2017 | 55.7 | 75.7% | 38.1% | $202K | -$7M | -$9M | |
|
2018 | 53.0 | 65.4% | 36.9% | $200K | -$155M | -$194M | |
|
2018 | 52.8 | 56.8% | 30.6% | $114K | -$1M | -$1M | |
|
She Dies Tomorrow
COVID-era
|
2020 | 52.7 | 57.5% | 45.6% | $399K | -$364K | -$453K |
|
2018 | 51.3 | 43.9% | 48.5% | $511K | -$554K | -$711K | |
|
2018 | 51.2 | 29.6% | 60.7% | $2M | -$3M | -$4M | |
|
2022 | 50.7 | 42.4% | 49.5% | $586K | -$924K | -$1M | |
|
The Killing of Two Lovers
COVID-era
|
2021 | 50.4 | 50.5% | 34.2% | $114K | -$278K | -$331K |
| 2019 | 50.3 | 53.8% | 33.1% | $172K | -$265K | -$334K | ||
|
2025 | 49.5 | 37.3% | 46.6% | $1M | -$2M | -$2M | |
|
2023 | 47.5 | 48.8% | 42.8% | $583K | -$398K | -$420K | |
|
2024 | 46.7 | 52.2% | 32.8% | $261K | -$409K | -$420K | |
|
Gunda
COVID-era
|
2021 | 46.5 | 36.8% | 44.8% | $383K | -$411K | -$488K |
|
Gaia
COVID-era
|
2021 | 45.4 | 54.1% | 23.9% | $48K | -$30M | -$35M |
|
2017 | 45.2 | 40.9% | 39.0% | $215K | -$233K | -$305K | |
|
2024 | 40.7 | 43.7% | 33.4% | $270K | -$367K | -$377K | |
|
2023 | 40.2 | 18.0% | 42.5% | $581K | -$671K | -$708K | |
|
2022 | 39.5 | 25.5% | 31.1% | $102K | -$274K | -$301K | |
|
2024 | 37.8 | 48.0% | 19.7% | $56K | -$332K | -$341K | |
|
The First Wave
Recovery period
|
2021 | 37.5 | 23.1% | 28.6% | $65K | -$292K | -$347K |
|
2024 | 36.9 | 18.2% | 43.0% | $661K | -$10M | -$10M | |
|
Ailey
Recovery period
|
2021 | 35.9 | 11.8% | 39.7% | $214K | -$213K | -$254K |
|
2025 | 33.3 | 29.8% | 14.0% | $43K | -$321K | -$321K | |
|
2024 | 31.0 | 22.1% | 25.6% | $106K | -$269K | -$276K | |
|
2005 | 29.9 | 4.0% | 36.2% | $225K | -$195K | -$321K | |
|
In the Life of Music
COVID-era
|
2020 | 28.2 | 19.8% | 9.0% | $7K | -$348K | -$432K |
|
2024 | 25.6 | 11.0% | 19.5% | $55K | -$310K | -$318K | |
|
2022 | 23.8 | 12.8% | 13.7% | $16K | -$343K | -$377K | |
|
The Year of the Everlasting Storm
Recovery period
|
2021 | 20.6 | 12.8% | 9.9% | $12K | -$344K | -$408K |