Film4
Dynamic entity page generated from imported ScreenProfits movie metadata.
Production Company
Movies98
Years2005-2025
Avg Score66.1
Worldwide Gross$1,826,151,267
Associated Movies
| Poster | Movie | Year | Overall | Popularity % | Box Office % | Worldwide | Profit/Loss (Est.) | Profit (Inflation Adj) |
|---|---|---|---|---|---|---|---|---|
|
High-Rise | 2016 | 66.4 | 77.5% | 61.0% | $4M | $2M | $4M |
|
Sightseers | 2013 | 66.4 | 68.1% | 60.7% | $2M | $7M | $10M |
|
On the Road | 2012 | 66.2 | 70.9% | 71.8% | $10M | -$8M | -$11M |
|
How to Have Sex | 2024 | 65.3 | 73.3% | 48.3% | $1M | $3M | $3M |
|
Eileen | 2023 | 64.6 | 71.7% | 54.7% | $2M | $8M | $9M |
|
Boy A | 2008 | 64.1 | 67.2% | 48.6% | $1M | $13M | $19M |
|
The Son | 2023 | 64.0 | 73.0% | 61.0% | $4M | $961K | $1M |
|
Le Week-End | 2014 | 63.7 | 54.5% | 71.1% | $9M | $11M | $15M |
|
Hard Truths | 2025 | 63.6 | 59.6% | 56.7% | $3M | $648K | $648K |
|
The Riot Club | 2015 | 63.3 | 68.6% | 60.5% | $4M | -$1M | -$1M |
|
Cuban Fury | 2014 | 62.3 | 62.6% | 67.2% | $6M | $10M | $13M |
|
How I Live Now | 2013 | 62.3 | 68.6% | 54.8% | $926K | $8M | $11M |
|
Censor | 2021 | 60.8 | 69.9% | 43.8% | $362K | $9M | $10M |
|
The Little Stranger | 2018 | 60.7 | 65.9% | 59.5% | $2M | $7M | $9M |
|
Tyrannosaur | 2011 | 60.6 | 63.4% | 44.6% | $676K | $3M | $4M |
|
Hyde Park on Hudson | 2012 | 60.5 | 59.5% | 73.1% | $11M | $11M | $15M |
|
When Did You Last See Your Father? | 2008 | 59.5 | 58.7% | 55.4% | $3M | $20M | $29M |
|
Peterloo | 2019 | 59.3 | 57.6% | 62.4% | $2M | -$14M | -$18M |
|
In the Shadow of the Moon | 2007 | 57.9 | 45.5% | 55.4% | $2M | $25M | $39M |
|
Jimmy's Hall | 2015 | 57.6 | 48.4% | 63.1% | $5M | $8M | $10M |
|
Berberian Sound Studio | 2013 | 57.1 | 61.8% | 44.9% | $313K | $7M | $10M |
|
Three Dancing Slaves | 2005 | 55.7 | 72.8% | 16.8% | $22K | -$16M | -$26M |
|
How to Talk to Girls at Parties | 2018 | 55.5 | 67.8% | 44.8% | $386K | $4M | $6M |
|
Page One | 2011 | 53.2 | 58.8% | 48.4% | $1M | $4M | $6M |
|
Talent Has Hunger | 2016 | 53.2 | 75.7% | 6.6% | $8K | $723K | $969K |
|
Macbeth | 2015 | 52.6 | 27.4% | 73.4% | $16M | -$6M | -$8M |
|
A Field in England | 2014 | 52.2 | 57.2% | 35.5% | $97K | $6M | $8M |
|
The Look of Love | 2013 | 52.0 | 49.6% | 57.1% | $1M | $3M | $5M |
|
Trespass Against Us | 2017 | 51.3 | 58.1% | 45.8% | $517K | $88K | $116K |
|
Mary Magdalene | 2019 | 50.5 | 67.9% | 28.8% | $125K | $5M | $7M |
|
Dark River | 2018 | 50.4 | 51.0% | 39.3% | $239K | $262K | $336K |
|
The Future | 2011 | 49.8 | 45.5% | 47.5% | $887K | $15M | $22M |
|
Dead Man's Shoes | 2006 | 49.3 | 66.1% | 13.0% | $12K | $2M | $3M |
|
Let My People Go! | 2013 | 48.7 | 63.4% | 18.9% | $19K | -$11M | -$15M |
|
Enys Men | 2023 | 47.5 | 48.8% | 42.8% | $583K | $5M | $6M |
|
The Road | 2012 | 47.1 | 46.8% | 50.2% | $942K | -$17M | -$23M |
|
How to Build a Girl | 2020 | 46.6 | 51.0% | 30.0% | $71K | $14M | $18M |
|
The Painting | 2013 | 46.1 | 56.0% | 21.3% | $22K | -$17M | -$22M |
|
Donkey Punch | 2009 | 45.3 | 48.4% | 42.6% | $694K | $3M | $5M |
|
Sacred | 2017 | 45.2 | 56.6% | 16.3% | $18K | $3M | $3M |
|
Mister Lonely | 2008 | 44.8 | 44.3% | 40.1% | $408K | $7M | $10M |
|
Sister Midnight | 2025 | 44.1 | 38.7% | 32.9% | $316K | $2M | $2M |
|
Hot Milk | 2025 | 41.4 | 40.2% | 40.9% | $708K | -$3M | -$3M |
|
An Evening with Beverly Luff Linn | 2018 | 41.4 | 58.1% | 14.1% | $24K | $163K | $209K |
|
2073 | 2024 | 37.8 | 48.0% | 19.7% | $56K | -$69K | -$71K |
|
Who Will Write Our History | 2019 | 37.2 | 25.8% | 30.3% | $139K | -$12M | -$15M |
|
Brothers of the Head | 2006 | 31.2 | 19.6% | 28.6% | $84K | $9M | $14M |
|
The Sacrifice | 2024 | 16.8 | 0.3% | 27.6% | $141K | $3M | $3M |